MANDOLIN WORLD HEADQUARTERS, INC.

MANDOLINS, GUITARS, AND OTHER INSTRUMENTS
FOR SALE OR TRADE


Are you looking for a vintage Martin guitar or Gibson guitar, a fine Gibson mandolin, or a good upright Kay bass? Perhaps other brands of vintage mandolins are your interest. We often have a Flatiron mandolin, Collings mandolin, or a Ratliff mandolin in stock, and occasionally a Summit, Nugget, Monteleone, and even a Loar F5 has been found here. Perhaps a Fender Stratocaster, Telecaster, or Jazzmaster is your thing. Or maybe you're a dedicated Gibson Les Paul or National Tricone or Duolian player. These and many other fine vintage stringed musical instruments can often be found on this web page. The selection changes frequently, and cool instruments arrive on a regular basis. Keep reading for great deals!

Charles Johnson, Owner
Mandolin World Headquarters, Inc.
9702 Gayton Road
Suite 147
Richmond, Virginia 23238
United States of America
Phone 804-937-4880
Skype ID: charlesjohnsonva

Viewing/visits/try outs by appointment only
My business phone hours are:
Monday-Friday: 11:00 am -10:00 pm East Coast time zone USA
Weekends: 12 noon - 10:00 pm East Coast time zone USA

E-mail to:1939d18@gmail.com

We are honored to do business with Japan

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The following is the current "for sale or trade" list. The camera icon camera icon means an image is available. Click on the instrument name or the small thumbnail picture beside it to see the full size picture. Additional digital photos are available for any item listed. I'm open to trades - what ya got? I'm especially interested in a good Martin guitar or a fine Gibson mandolin; will trade up, down, or sideways for these! As always, you have a 48 hour trial period on mail order sales of used or vintage instruments. See the details under "ordering". All instruments listed below are available for sale unless marked "on hold" in the description. Click here  for a description of our "on hold" policy.

PLEASE NOTE: We DO NOT ship Brazilian rosewood guitars across international borders.

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We accept Visa, MasterCard, American Express, and Discover

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Sale/Trade List - Updated December 12, 2017
Scroll down for complete list

IN TRANSIT OR IN THE SHOP:
No further details are available on these. I do not price instruments until they are ready for sale. Please keep watching the page for the listing!

GIBSON F HOLE MANDOLINS:
(Click on the underlined name for price and details)

OTHER BLUEGRASS MANDOLINS:
(Click on the underlined name for price and details)

GIBSON OVAL SOUND HOLE MANDOLINS:
(Click on the underlined name for price and details)

  • 1913 Gibson A, Pumpkin top, all original except bridge has a bone saddle, good session mandolin, just set up, loud
  • 1925 Gibson A, Black top, just set up, plays great, sounds strong - this is what you are looking for in a snakehead
  • 1924 Gibson A Jr, Snakehead, Sheraton brown finish, all original, no cracks or repairs, has the snakehead sound for less money ON HOLD
  • 1917 Gibson A4, Excellent condition, loud session mandolin, no repairs, just set up and ready to play
  • 1922 Gibson A, Lots or wear but no repairs, paddlehead with a truss rod, good strong session mandolin
  • 1920 Gibson A, Excellent condition, all original, brown top, very minor playing wear
  • 1918 Gibson A, Nice pumpkin top mandolin, classic round hole sound, strong ringing tone, shows some playing wear
  • 1935 Gibson A0, Rare elevated fingerboard, red sunburst, top of the line for Gibson A styles, truss rod in the neck
  • 1923 Gibson A1, Snakehead, black top, solid good sounding mandolin, excellent session mandolin, missing the guard, just set up
  • 1923 Gibson A1 Snakehead, Black top, very strong mandolin, great for sessions
  • 1923 Gibson A2 Snakehead, Black top, bound back, pearl logo, same as the A2Z except for black top, well played, great sounding mandolin ON HOLD
  • 1924 Gibson A2 Snakehead, Blond top, bound back, this is the same mandolin as the A2Z except for the soundhole rosette, used professionally
  • 1913 Gibson A4, Very clean, played in a mandolin orchestra for years, perfectly set up
  • 1919 Gibson A4, Red sunburst, one piece back, beautiful mandolin
  • 1924 Gibson A4, Snakehead, no Virzi, very clean, strap button added, Loar era, truss rod
  • 1915 Gibson F4, Red sunburst, beautiful flamey one piece back, inlaid Handel tuners, very pretty and good sounding mando
  • 1940 Gibson F4, Unusual factory F7 fingerboard board with Nick Lucas inlays, clean
  • Teens Gibson Mandolin Case Key, Excellent condition, fits teens Gibson mandolin cases, maybe others

MANDOLAS, OCTAVE MANDOLINS, MANDOCELLOS AND BOUZOUKIS: 
(Click on the underlined name for price and details)

OTHER MANDOLINS: 
(Click on the underlined name for price and details)

  • 1931 Martin Style 20, Carved Adirondack red spruce top, flamed maple back and sides, oval hole, possibly Martins best mandolin tone wise
  • 1911 Weymann Mandolute, Excellent condition, very early pre-patent production, appears to be all original, no repairs, just set up
  • 1934 Martin Style A, Red spruce top, mahogany back and sides, just set up, good sound and playability
  • 1920 Martin Style B, Straight grain Brazilian rosewood body, excellent sound, same high build quality as the guitars
  • 1987 Red Diamond Electric mandolin, Built by Don McRostie, 8 strings, blade pickup, strong mandolin
  • 1935 National Style N, Set up for slide, very cool and all original mandolin. Think Sam Bush!
  • 1966 Fender Electric, Known as the Mandocaster, all original, think of a small Stratocaster
  • 1924 Martin Style B, Straight grain Brazilian rosewood body, excellent sound, same high build quality as the guitars

MARTIN ACOUSTIC GUITARS: 
(Click on the underlined name for price and details)

  • 1956 Martin D18 Nice all original guitar, loud woody tone, neck just reset
  • 1950 Martin 00-17, Excellent collector clean condition, one owner guitar, neck just reset
  • 1959 Martin 018, Nice original guitar in excellent condition, one repaired side crack, plays easy, good sound
  • 1927 Martin 028, Beautiful and clean guitar, braced for steel stings, neck just reset, Brazilian rosewood back/sides, 1-3/4 inch nut
  • 1927 Martin 5-21 T, Tenor guitar, Brazilian rosewood back and sides, Adirondack top, just completely gone through and it sounds and plays fantastic. Big sound from this one!
  • 1951 Martin 0017, All mahogany guitar, neck just reset, no repairs, very warm and bluesy tone with good volume
  • 1958 Martin 0017, All mahogany, beautiful condition, plays like a dream, nice warm tone, good blues and fingerstyle guitar
  • 1945 Martin 0018, Fabulous wartime guitar, ebony truss rod, light and responsive
  • 1970 Martin 0018, Very clean guitar, looks nearly unplayed, neck just reset to give a smooth comfortable action, excellent sound
  • 1948 Martin 00018, Nice clean guitar, Adirondack top
  • 1955 Martin 00018, Nice silking in the spruce top, clean guitar, plays very well, good sound
  • 1996 Martin OM28V, Excellent condition, vintage reissue series, 1 3/4 inch nut with 2 5/16 bridge spacing, Sitka top with herringbone, scalloped bracing, Indian rosewood back and sides
  • 1962 Martin D18, Loud, dry, woody Martin sound, neck just reset and frets dressed, ready to go hunt some banjos
  • 1967 Martin D18, Well played bluegrass music maker, neck just reset, dry woody tone, has a few minor repairs and a great big sound, priced right
  • 1967 Martin D18, Well played bluegrass warrior, neck just reset, dry woody tone, has a few minor repairs and a great big sound, priced right
  • 1969 Martin D18, Well played festival warrior, bluegrass powerhouse, neck just reset
  • 1971 Martin D18, Very clean guitar, recent neck set, clean blue case
  • 1955 Martin D28, Powerful guitar, Brazilian rosewood back and sides, neck just reset, well played, huge sound
  • 1961 Martin D28, Brazilian rosewood, strong bluegrasser, neck reset
  • 1962 Martin D28, Brazilian, very powerful guitar, plays nice and easy
  • 1967 Martin D28, Old growth straight grain Brazilian rosewood, very clean, neck just reset, plays nice and low, loud guitar

GIBSON FLATTOP ACOUSTIC GUITARS: 
(Click on the underlined name for price and details)

  • 1964 Epiphone FT30 Callabreo Made by Gibson, similar to the LGO, all mahogany body, tortoise binding, ladder braced
  • 1955 Gibson J45, Well played with no repairs, completely gone through by a top luthier, big sounding guitar
  • 1955 Gibson J50, Near mint, small guard, neck just reset, time capsule clean
  • 1966 Gibson J200, Excellent condition, think Nashville Skyline tone, all original classic Gibson
  • 1933 Gibson L00, Great sounding small body Gibson, small sunburst, no back binding, neck just reset and the guitar set up, big sound and easy playing
  • 1959 Gibson LG2, Well played small body Gibson thats as comfortable as an old pair of jeans, big warm sound, 1 11/16 nut
  • 1946 Gibson LG2, Excellent condition, no repairs, gold script logo, original riveted Kluson tuners, x braced, neck just reset, nice sound and action
  • 1936 Gibson L00, Structurally fine, good sounding guitar, good looking guitar, couple minor repairs, 1 3/4 inch nut, just set up, used professionally in the studio
  • 1957 Gibson J50, Well played but really good condition other than some playing wear, perfect frets and neck set, plays nice, big sound
  • 1938 Gibson L00, 14 fret body, sunburst finish, fire stripe pick guard, 1 3/4 inch nut, V profile neck, bridge reglued, just been set up
  • 1951 Gibson LG3, Natural top version of the LG2, X braced solid spruce top, mahogany back and sides, plays easy, no repairs
  • 1953 Gibson LG2 3/4, Excellent condition - my granddaughter was playing this until recently. Short scale, 1 1/2 inch nut, perfect for a travel guitar or smaller hands
  • 1990 Gibson J185, Highly figured blond maple back and sides, first year of reissue, very clean, has the longer 25.5 inch scale
  • 1955 Gibson J160E, Nice early version, 20 frets, big thumb wheel bridge, very clean guitar
  • 1958 Gibson J200, The King of the Flattops, sunburst, all original, nice clean guitar that sounds and plays great
  • 1945 Gibson Southern Jumbo, Banner peghead, all original
  • 1961 Gibson SJN Country Western, Natural top version of the Southern Jumbo, near mint, more like a 50s guitar

OTHER FINE ACOUSTIC GUITARS:  
(Click on the underlined name for price and details)

TENOR GUITARS:
(Click on the underlined name for price and details)

  • 1948 Martin 0-18T, Tenor guitar, mahogany back and sides and a spruce top, neck just reset and the guitar was completely set up, plays beautifully, clean guitar
  • 1960 Martin 515T, Tenor guitar, all mahogany, lots of player wear but no structural issues, plays and sounds very good IN THE SHOP
  • 1927 Martin 521T, Tenor guitar, Brazilian rosewood back and sides, Adirondack top, just completely gone through and it sounds and plays fantastic. Big sound from this one!

ARCHTOP AND SEMI-HOLLOW GUITARS, ELECTRIC AND ACOUSTIC:
(Click on the underlined name for price and details)

UKULELES, BANJOS, TIPLES, AND OTHER ACOUSTIC INSTRUMENTS:
(Click on the underlined name for price and details)

STEELS, DOBROS, NATIONALS, AND RESONATOR INSTRUMENTS:
(Click on the underlined name for price and details)

ELECTRIC GUITARS AND AMPS:
(Click on the underlined name for price and details)

CASES, PARTS AND MISCELLANEOUS:
(Click on the underlined name for price and details)

LUTHIER SPECIALS AND FIXER-UPPERS:
(Click on the underlined name for price and details)

  • None at this time

Please click on the name of the instrument or the camera icon beside it to see more details and larger pictures. If you would like additional images of a specific instrument please email your request. 
Click here   for how to order and return policy information
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GIBSON MANDOLINS AND RELATED

camera icon  1913 Gibson A Mandolin
(Serial No. 17887 FON 2053) Excellent condition. Nice sounding and playing session mandolin. Natural finish top that has aged to pumpkin color and a reddish back and sides. No peghead logo as per factory, top bound only with unbound back, and it has the original Gibson label inside. Hardware is original, finish is original. The original fixed one piece bridge has been fitted with a bone intonated saddle. Shows typical playing wear and a few small nicks and dings. No repairs noted. Big open woody round hole sound. Just set up by luthier Jerry Ray. Comes with a newer hardshell case.....USD $1200

camera icon  1918 Gibson A Mandolin
(Serial No. 48477 FON 11152) Excellent condition. Nice sounding and playing session mandolin. Natural finish top that has aged to pumpkin color and a reddish back and sides. No peghead logo as per factory, top bound only with unbound back, and it has the original Gibson label inside. Hardware is original, finish is original. Missing the pickguard. Shows some playing wear, especially where the pickguard would have been fitted. frets are good, neck set is good, and it was just set up by my luthier. Big open woody round hole sound. Comes with the original hardshell case....USD $1450

camera icon  1920 Gibson A Mandolin
(Serial #61368 FON 11306) Excellent condition, Sheraton Brown top finish with dark back and sides. Peghead is blank as made by Gibson, but it has the original Gibson label inside. Top bound only. All hardware and finish is original showing a little playing wear. Neck is straight, the frets are in good shape, and the tuners work well. Original tailpiece and cover. The mandolin plays and sounds great. Just set up by my luthier so the action is low and playable and it has a good ringing sound. Excellent for Celtic or old-time music. Original hardshell case included....USD $1450

camera icon  1922 Gibson A Mandolin
(Serial No. 68349) If you are looking for a good session mandolin, and do not mind a little wear and do not need the fancy trim, this is your mandolin. Here is a 1922 Gibson A style mandolin. Just an "A", so its top bound only and does not have the pearl logo. It does have the Gibson label inside and, importantly, it has the adjustable truss rod. This lets you set the mandolin up for your local climate and allows you change it easily if needed. Keeps the neck straighter, too. 1922 is the beginning of the Loar improvements to the mandolin such as the adjustable truss rod and adjustable bridge. Plays smoothly with excellent volume and tone. My luthier just dressed the frets and set it up - its ready to play. No breaks, cracks or refinish. Sheraton Brown top finish and brown back and sides. Finish, tailpiece and tuners are original. The truss rod cover, although similar to the originals, is a custom size and shape. Missing the pickguard. Comes with a newer hardshell case....USD $1950

camera icon  1924 Gibson A Junior Snakehead Mandolin
(Serial #78644) Loar era snakehead. Excellent minus condition, Sheraton Brown top finish with dark back and sides. Looking for a good mandolin for fiddle tunes or sessions? This is it! Lots of volume in this one! The "A Junior" model was the entry level mandolin for Gibson. Even so, these are excellent instruments. They do not have body or fingerboard binding, and the truss rod is not adjustable. Then again, all Gibson mandolins prior to 1922 didn't even have truss rods. Where it counts, however - all solid woods, carved spruce top, carved birch back and sides - its the same mandolin as the higher grade versions. All hardware and finish is original. Shows some playing wear but no cracks or repairs are evident. Recent professional setup. No logo on the peghead as made by Gibson. Neck is straight and the frets are in good shape. Plays nice and has a good ringing sound. Excellent for Celtic or old-time music. Nice original hardshell case included.....USD $1650ON HOLD for CV in MI

camera icon  1923 Gibson A1 Snakehead Mandolin
(Serial # 74156 FON 11021) Excellent condition. Snakeheads are considered the best sounding of Gibson oval hole mandolins, as they ring out and punch well. Black top finish and a brownish back and sides. Original Gibson label inside. Tuners and tailpiece are original. Bridge has been changed out for a Cumberland Acoustics Loar replica. Missing the pickguard. Just set up by my luthier Jerry Ray. Frets are fine and neck set it good. Shows some playing wear as well as a few nicks and dings, but overall a nice solid mandolin. Shows some case wear on the side. Plays easy with the great round hole tone. Excellent for Celtic, old time and jazz. Comes with a hardshell case....USD $2950

camera icon  1925 Gibson A Snakehead Mandolin
(Serial # 81327 FON 8625) Excellent condition. Snakeheads are considered the best sounding of Gibson oval hole mandolins, as they ring out and punch well. Black top finish and a brownish back and sides. Original Gibson label inside. The date on this one is a bit of a mystery, as the serial number appears to be 81327, but the factory order number rubber stamped inside is 8625 which crosses in the Spann book to a 1927 build date. Maybe the 81 is actually a 87? It is hard to tell with these penciled in numbers after 90 years! In any case, this is an excellent sounding and playing mandolin. I think it was originally built as a "A" model with no logo, and at some point it was sent back to Gibson for work (possibly frets?), as the painted logo "The Gibson" is straight across the peghead like a late 20s instrument, instead of slanted like the earlier logos. It also looks like the entire instrument was oversprayed with the correct nitro lacquer at some point in the distant past, as there is checking on the back under the finish. However, that top finish has its own checking, so if it was oversprayed it was a long time ago. The hardware is original, endpin is replaced, and the tuners are the type used in 1924-1925. Just set up by my luthier Jerry Ray. Frets are fine and neck set is good. Its a strong sounding very loud mandolin in excellent condition, with beautiful tone. Plays easy with a nice low action. Excellent for Celtic, old time and jazz. Comes with the original hardshell case. Consigned....USD $2700

camera icon  1923 Gibson A1 "Snakehead" Mandolin
(Serial # 74245 FON 11952) Excellent condition. Snakeheads are considered the best sounding of Gibson oval hole mandolins, as they ring out and punch well. Black top finish and a brownish back and sides. No logo as made but it does have the original Gibson label inside. Bridge, tail piece and tuners are original with the fleur-di-lise backing plates and ivoriod buttons. Missing the pickguard. Just set up by my luthier Richie Dotson. Frets are fine and neck set it good. Shows some playing wear as well as a few nicks and dings, but overall a nice solid mandolin. Plays easy with the great round hole tone. Excellent for Celtic, old time and jazz. Comes with a original hardshell case....USD $2950

camera icon  1923 Gibson A2 "Snakehead" Mandolin
(Serial No. 74795) Snakehead! If you are looking for a top notch sounding roundhole Gibson, and do not mind some honest playing wear, this is your mandolin. The A2Z variation is the most sought after of the Gibson A style round hole instruments, and for good reason. They sound great! The label on this one is marked "A2", but it has all of the characteristics of the A2Z - it has the inlaid pearl logo, bound top, back and fingerboard, the thick white soundhole rosettes like the A3, and the thin black line of inner binding on the top. It has the original arrowhead plate tuners that were only used on late 1922 and 1923 instruments. This is a classic Loar era instrument with the sound that you expect from this period. Plays smoothly with excellent volume and tone. This is just a great sounding mandolin - an excellent demonstration of why many pickers believe the snakehead era mandolins are the best ever made by Gibson. Excellent structural condition showing some significant playing wear - because it sounds great! Its been played well for that reason. No breaks, cracks or refinish. Black top finish and brown back and sides. Has the adjustable truss rod. All hardware and finish is original. Comes with a newer hardshell case...USD $3750ON HOLD for SS in NY

camera icon  1924 Gibson A2 "Snakehead" Mandolin
(Serial No. illegible, FON 1198X) Excellent structural condition, blonde top finish with darker nicely figured birch back and sides. A straight original mandolin showing some honest playing wear. I got this from a picker at a music store, who played this mandolin almost every day. No repairs or structural issues. Just been set up by one of the top repair shops on the East Coast. Has the pearl logo and inlay in the peghead, bound top, back, and fretboard, ebony fretboard, reproduction Cumberland Acoustic adjustable ebony bridge, original tuners, tailpiece and pickguard. This is the same mandolin as the A2Z, however it has the double soundhole rosette rings and the label shows A2. This is a classic Loar era instrument with the sound that you expect from this period. Just set up by my luthier so it plays smoothly with excellent volume and tone. This is a great sounding mandolin - an excellent demonstration of why many pickers believe the snakeheads are the best oval hole mandolins ever made by Gibson. If you can live with some playing wear this is a deal on a snakehead A2. Comes with the original hardshell case...USD $3750

camera icon  1913 Gibson A4 Mandolin
(Serial No. 13234) Excellent plus condition. The A4 was the top of the line A style mandolin for Gibson. This one is really clean and was played in a leading mandolin orchestra for years. Original finish with black top and a reddish back and sides, all solid woods with a two piece back and sides, spruce top, pearl logo and Fleur DI Lise in the peghead, original hardware including the inlaid Handel tuners, bound top and back, and a bound ebony fingerboard with treble extension. Original one piece bridge. Frets were just dressed and the mandolin set up perfectly by luthier Jerry Ray. Nice big woody sound from this mandolin with good bass! Neck is straight, neck angle and frets are good. No structural repairs and only a few of the usual nicks and dings. Excellent for Celtic or old time or jazz or classical. Comes with the original hardshell case. Consigned....USD $3750

camera icon  1917 Gibson A4 Mandolin
(Serial No. 30946 FON 11010) Excellent condition. The A4 was the top of the line A style mandolin for Gibson in 1917. It has the true red sunburst top finish and reddish back and sides, pearl peghead inlay and logo, bound top and back, and a bound ebony fingerboard with treble extension. Nice one piece back. The hardware and finish are original. Nice big woody sound from this mandolin with good bass! Neck is straight, neck angle is good and the frets show very little wear. No repairs or refinish noted. Missing the pickguard. Action is low and playable and it has a good ringing sound. Excellent for Celtic or old-time music. Original hardshell case included....USD $2450

camera icon  1919 Gibson A4 Mandolin
(Serial No. 50862) Excellent condition. The A-4 was the top of the line A style mandolin for Gibson in 1919. It has the true red sunburst top finish and reddish back and sides, pearl peghead inlay and logo, bound top and back, and a bound ebony fingerboard with treble extension. Nice one piece back. The hardware and finish are original. Nice big woody sound from this mandolin with good bass! Neck is straight, neck angle is good and the frets show very little wear. No repairs or refinish noted. Action is low and playable and it has a good ringing sound. Excellent for Celtic or old-time music. Original hardshell case included...USD $2450

camera icon  1924 Gibson A4 "Snakehead" Mandolin
(Serial No. 78314 FON 11066) Excellent condition, true red sunburst finish. A straight original mandolin showing some very minor playing wear. Snakehead A models from 1923-1925 are the most sought after of the Gibson A style round hole instruments, and for good reason. They sound great! This is the A4 which was the top of the line for the A style mandolins. Has the pearl logo and inlay in the peghead, fully bound, ebony fretboard with treble extension, reproduction Cumberland Acoustic adjustable ebony bridge, original tuners, tailpiece and pickguard. Strap button added at the heel. This is a classic Loar era instrument with the sound that you expect from this period. Just set up by my luthier so it plays smoothly with excellent volume and tone. This is just a great sounding mandolin - an excellent demonstration of why many pickers believe the snakeheads are the best oval hole mandolins ever made by Gibson. No major structural issues and the finish is original. Comes with the original hardshell case, also in very clean condition. ...USD $6450

camera icon  1935 Gibson A0 Mandolin
(FON 785) Excellent condition. Although similar to the earlier A4 model, in the 1930s this was the A0 model. This one has the rare elevated fingerboard, only made for a few years in the 1930's. This was undoubtedly a special order. The A0 was the top of the line A style mandolin for Gibson at this time. It has a true red sunburst, flamed maple back and sides, straight pearl logo in the peghead, bound top and back, and unbound peghead and fingerboard as was typical build on 30s era mandolin instruments. Has the adjustable truss rod in the neck. The finish and hardware are original including the original adjustable bridge. Nice big woody sound from this mandolin with good bass! Neck is straight, neck angle and frets are good. No structural repairs and has a few minor nicks and dings, the usual playing wear, as seen in the pics. Missing the interior label as is common on 30s Gibsons but has the factory order number is stamped on the neck block. Just gone over and set up professionally. Excellent for Celtic or old time, and this mandolin would be superior for classical. Comes with the original hardshell case....USD $2950

camera icon  1936 Gibson A1 Mandolin
(Serial No. 450B-3) Made in 1936 based on the factory order number in the Spann book. Has the earlier large tailpiece cover. Original sunburst finish and hardware, Adirondack spruce top with F holes, nicely flamed dark stained maple back, sides and neck, white script silkscreened "Gibson" peghead logo, clam shell tailpiece cover. These mandolins were used a lot in bluegrass as not everyone could afford a F5. Nice playing and sounding instrument with no issues. Frets are fine, neck is straight. All hardware and finish are original. Has the typical nicks and dings of an instrument used to make music for nearly 80 years. Looks like there was some heat damage on the treble side in the past - probably leaned up against a radiator. It is structurally fine. No repairs or refinish noted. Frets are good, neck is straight, neck set is good. Just set up by my luthier. Good strong bluegrass sound with a woody chop. Very loud mandolin - excellent volume. Comes with an original hard shell case...USD $1950

camera icon  1937 Gibson EM-150 Mandolin
(Serial No. 200 C 18) Near mint condition with a sunburst finish. Second year of production. EmM-150 mandolins were used by Tiny Moore and Johnny Gimble on their classic recordings. This is a nice A style with F-shaped sound holes with a carved spruce top, flamed maple one piece back and sides, the original hot Charlie Christian pickup mounted in the top, and a jack in the lower side. Fretboard is flush with the top. Classic 30s silkscreened "Gibson" logo on the peghead. Fully bound. All hardware and finish is original. Mandolin has just been set up buy my luthier so it plays right. It has a nice low action and has the classic Gibson Charles Christian EM-150 sound. This model has a good oldtime, bluegrass and country pedigree for stage and studio use. Comes with a newer hard case...USD $2150

camera icon  1939 Gibson A50 Mandolin
(Serial No. 2740G) Clean one owner mandolin with just a little pickwear. Original sunburst finish and hardware, Adirondack spruce top with F holes, dark stained nicely figured maple back, sides and neck, white script silkscreened "Gibson" peghead logo, clamshell tailpiece cover, amber tuning buttons, original ebony nut, fretboard and bridge. It has a back brace, so according to book it is an A50. These were used a lot in bluegrass as not everyone could afford a F5. Nice playing and sounding instrument with no issues. Just set up by my luthier Jerry Ray. Frets are fine, neck is straight. This has an odd stamp on the back of the peghead - its stamped "cull". I would think that would mean a second of some sort, but I see no issues with the mandolin. No breaks, cracks or refinish noted. Missing the pickguard. Good strong bluegrass sound with a woody chop. Very loud mandolin - excellent volume. Comes with the original cardboard case...USD $1500

camera icon  1952 Gibson A40 Mandolin
(Serial No. Z635 13) Excellent minus condition with a dark sunburst finish front and back. Bought from the family of the original owner here in Richmond, VA. This is a nice A style with F-shaped sound holes with a carved spruce top and mahogany back and sides. Nut width is 1 3/16 inch.Fretboard is flush with the top. Classic "Gibson" decal logo above the truss rod cover on the peghead. Top bound only. All hardware and finish is original but missing the guard. The original buttons were crumbling and have been replaced with new exact repros. Shows some finish checking and the usual nicks and dings of well-loved instrument played for over 50 years. Frets are fine, neck is straight and it was just set up by my luthier Jerry Ray. It plays fine with a nice low action and has the classic Gibson post war sound. This model has a good bluegrass pedigree - many groups used these mandolins in bluegrass as they were much more affordable than the F-5's. Comes with a newer hard case....USD $1350

camera icon  1937 Gibson A50 Mandolin
(Serial No. 1992F-21) Nice original wide body mandolin. Has an original sunburst finish, highly flamed maple back, sides and neck, ebony fingerboard with Lucas style inlays and the "thick" pearl peghead Gibson logo and fleur-di-lise. Has the original tailpiece cover but is missing the pickguard, however the pickguard mounting hardware is in the case. Tuners are correct type Klusons but are a little later wartime era with riveted gears. Looks like it might have had Grover tuners on it at one time. At 14 1/2 inches, these are the longest scale mandolins ever made by Gibson. Frets and neck set are good and the mandolin was and set up by luthier Jerry Ray. Plays like silk and has a good chop. These were used extensively in bluegrass as they were more affordable than the F5 but still pretty fancy. Comes with a newer hardshell case that fits well...USD $2250

camera icon 1952 Gibson EM-150 Mandolin
(Serial No. z1716) Near mint condition with a sunburst finish. These were used by Tiny Moore and Johnny Gimble on their classic recordings. This is a nice A style with F-shaped sound holes with a carved spruce top, maple back and sides, and the original hot P-90 pickup mounted in the top and a jack in the lower side. Fretboard is flush with the top. Classic "Gibson" decal logo above the truss rod cover on the peghead. Top bound only. All hardware and finish is original. Has some tarnish on the tailpiece cover, otherwise looks almost new. Mandolin has just been set up but my luthier so it plays right. It has a nice low action and has the classic Gibson post war EM-150 sound. This model has a good bluegrass and country pedigree for stage and studio use. Comes with the original hard case and one of the hang tags...USD $1750

camera icon 1996 Flatiron A5 Artist Mandolin
(Serial No. 96102635) Excellent plus condition with one noticable ding on the bass side. This was the top of the line for Flatiron A style mandolins. This one has a Bozeman label signed by Bruce Weber. These were built by the same luthiers that built the Gibson mandolins. Has flamed maple back and sides, solid Sitka spruce top, flat ebony fretboard with larger frets, ebony bridge, 1 1/8 inch nut, pearl Fern headstock inlay and logo, and gold hardware. The Artist series Flatirons like this have X-braced tops, which many pickers believe gives a more percussive chop. Excellent sounding instrument with a deep woof on the bottom and clear trebles on the top. This instrument has just been set up by my luthier and is ready to go. It needs nothing but your fingers on the strings! Comes with the original black TKL shaped hardshell case...USD $2450 ON HOLD for RG in CO

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camera icon  1915 Gibson F4 Mandolin
(Serial No. 21360) Excellent plus condition. It has spectacular flamey woods on the back and sides, one piece back, pearl double flowerpot logo, bound top and back, inlaid Handel tuners, and a bound ebony fingerboard with treble extension. Original tuners, tailpiece and cover. The bridge is a 1920s era Gibson adjustable bridge and the pickguard is missing. The finish looks like a 1930-1950s era refinish, as the original 1915 finish would be an uniform red. Its a very good refin with none of the original finish showing underneath - perhaps a factory refin? No repairs noted. Has good strong volume, and a big woody round tone. Neck is straight, neck angle is good and the frets show very little wear. Comes with an original green lined hardshell case...USD $5250

camera gif  1940 Gibson F4 Mandolin
(Serial No. 96390 fon 565F) Gibson F style mandolins from the 1930s and 40s are extremely rare. By then, the mando craze from the teens and early 20s had faded away, and the F4 was only built as a special order. This particular mandolin features a straight across pearl Gibson logo in the unbound peghead and F7 style Nick Lucas inlays in the bound fingerboard, squared at the bottom. Has a sunburst top, chocolate brown stained maple back and sides, and a checkerboard pattern soundhole rosette. The fingerboard is elevated off the top like the F5. The condition is overall excellent. No repairs, crack or other structural issues noted. It retains all of it's original hardware except the missing pickguard. The tuners, bridge, tailpiece and cover are all correct. The best thing about this mandolin is the sound!! It is really a great sounding mandolin. It has a very deep throaty bass response. The playability is great. As a general rule, the F4/F2s from this era are consistently good sounding. I have had several of these and they are real sleepers on the market. Comes in the original hardshell case....USD $7500

camera gif  1989 Gibson F5L Mandolin
(Serial No. 9250128) If you are looking for a fantastic sounding Gibson F5l you have found it. This one shows some minor playing wear, especially on the gold tailpiece. Just listen to this video clip and this video clip of this mandolin as played by by Richie Dotson of Acoustic Box LLC in Chesterfield VA. This is the classic Gibson scroll mandolin - long neck, f-holes, elevated fingerboard, heavily flamed maple back and sides, gold hardware, solid spruce top, bound ebony fingerboard, and the Fern peghead inlay. All finish and hardware is original - the pickguard is in the case. In 1989 this model was the top of the line for Gibson. This was made in the Bozeman, Montana plant, and was signed by the legendary luthier Steve Carlson on December 4, 1989. The mandolin has just been set up by my luthier. Action is great - easy and low. This mandolin sounds great with a strong chop and bark as it has fought a number of banjo wars around the campfire. Comes in the original hardshell case.....USD $6500

camera gif  1990 Gibson F9 Mandolin
(Serial No. 7090502) Excellent neat mint condition. Has a slight sunburst with a satin lacquer finish. This is the "no frills" F5 style scroll mandolin for Gibson, but it still has all the design features that give the F5 its legendary tone, including a hand-fitted dovetail neck joint, solid maple neck, sides and back, solid Sitka spruce top, tone bar bracing, and a hand-tuned tone chamber. Definately has a slim Loar neck with a sharp V profile, the traditional flat unbound ebony fretboard, and the Loar style 1 inch bone nut. Pearl logo in the peghead and it has the satin silver finished Grover tuners. Body is top bound only in black and no pickguard, both as made by Gibson. Shows almost no playing wear. It will cut a banjo. Excellent sounding mandolin with good response all across the strings and up and down the neck. Just set up by Richie so the mandolin plays like butter and has the signature Gibson chop - excellent bluegrass sound! Comes with the original TKL shaped hardshell case.....USD $3150

camera gif  2006 Gibson F9 Mandolin
(Serial No. 60320010) Excellent neat mint condition. Has a slight sunburst with a satin lacquer finish. Nashville build. This is the "no frills" F5 style scroll mandolin for Gibson, but it still has all the design features that give the F5 its legendary tone, including a hand-fitted dovetail neck joint, solid maple neck, sides and back, solid Sitka spruce top, tone bar bracing, and a hand-tuned tone chamber. Definately has a slim Loar neck with a sharp V profile, the traditional flat unbound ebony fretboard, and the Loar style 1 inch bone nut. Pearl logo in the peghead and it has the satin silver finished Grover tuners. Body is top bound only in black and no pickguard, both as made by Gibson. Fitted with a nice curly maple McClung armrest, which is completely removable. Shows almost no playing wear. It will cut a banjo. Excellent sounding mandolin with good response all across the strings and up and down the neck. Just set up by Richie so the mandolin plays like butter and has the signature Gibson chop - excellent bluegrass sound! Comes with the original TKL shaped hardshell case....USD $3150

camera gif  1993 Gibson F-5 Monroe Varnish Mandolin
(Serial No. 70 of 200) Perfect mint condition. Sunburst varnish finish. This is the classic Gibson scroll mandolin - long neck, f-holes, elevated fingerboard, heavily flamed maple back and sides, solid spruce top, bound ebony fingerboard, silver plated tuners with pearl buttons and silver plated tailpiece/cover, and the classic Gibson torch peghead inlay in pearl. This is one of a limited edition of 200 made to honor the father of bluegrass, Bill Monroe. Made in the Bozeman, Montana plant, and signed by luthier Steve Carlson on February 8, 1993. Has the "Bill Monroe" engraved pearl truss rod cover and Bill's signature on the label. Has almost no playing wear and no nicks or dings. The mandolin has just been set up by my luthier. Action is great - easy and low. This mandolin sounds great with a strong chop and bark. Here is a short video clip of this mandolin played by Greg Holder of Dark Corner Bluegrass from NC. Comes with the original Loar replica hardshell case numbered the same as the mandolin...USD $9500

camera gif  1993 Gibson F5L Mandolin
(Serial No. 3504109) This one looks unplayed. Mint condition, brown sunburst lacquer finish. This is the classic Gibson scroll mandolin - long neck, f-holes, elevated fingerboard, heavily flamed maple back and sides, solid spruce top, bound ebony flat fretboard with a 1 1/8 inch nut, and the Fern peghead inlay in abalone. All original finish and gold hardware. In 1993 this model was the top of the line for Gibson. This was made in the Bozeman, Montana plant, and was signed by the legendary luthier Steve Carlson on January 4, 1993. The mandolin has just been set up by my luthier. Action is great - easy and low. This mandolin sounds great with a strong chop and bark, even though it is still needs to be broken in. Comes in the original hardshell case. ...USD $6500

camera gif  1993 Gibson F5L Mandolin
(Serial No. 3568089) Excellent condition. Sunburst lacquer finish. This is the classic Gibson scroll mandolin - long neck, f-holes, elevated fingerboard, heavily flamed maple back and sides, solid spruce top, bound ebony fingerboard, gold plated hardware, and the Fern peghead inlay. Has a 1 1/8 inch nut and the traditional flat fretboard.In 1993 this model was the top of the line for Gibson. This was made in the Bozeman, Montana plant, and was signed by luthier Phil Brugg on August 2, 1993. Shows almost no minor playing wear - this is a clean instrument. The only wear evident is on the gold plating at the tuners and tailpiece. The frets were lightly dressed and the mandolin has just been set up by my luthier. Action is great - easy and low. This mandolin sounds great with a strong chop and bark. Comes with a very clean newer TKL rectangular hardshell case with case cover. This is a really good mandolin...USD $6500

camera icon 1989 Flatiron F5 Custom Mandolin
(Serial #89010375) Excellent near mint condition, "ice tea" sunburst finish. Looks nearly unplayed. This is a rare Flatiron Custom Shop mandolin. When Gibson went to the NAMM show in 1987, these were the high quality mandolins they were competing with. They couldn't beat them, so they bought the company. Excellent sounding and playing F5 scroll mandolin with highly flamed maple back, sides and neck, carved Sitka spruce top with parallel tone bar bracing, side bound like Monroes on the top, back, fretboard and peghead, "The Flatiron" and Gibson flowerpot peghead inlay in abalone and pearl, 1 1/8 inch nut, V profile neck, elevated and bound flat ebony fingerboard with block pearl inlays, bound pickguard, and gold tailpice and Schaller tuners with pearl buttons. This one has a good chop and bark - excellent bluegrass mandolin. Here is a short video clip of this mandolin played by luthier Richie Dotson of Acoustic Box LLC. Signed by Dennis Balin. Bozeman built Flatirons are always heavily in demand. Most pickers won't part with theirs - once you play this one you'll know why. Comes with an original shaped hardshell case...USD $6250

camera gif  1998 Flatiron F5 Artist Mandolin
(Serial No. 80814029) Near mint condition, sunburst finish. Top of the line mandolin for Flatiron. When Gibson went to the NAMM show in 1987, these were the high quality mandolins they were competing with. They couldn't beat them, so they bought the company. Built on the same line side by side with Gibsons, the difference between Gibson and Flatiron is the Flatiron has a different peghead name and finish color, X top bracing and a radiused fretboard with the larger frets. Excellent sounding and playing F5 scroll mandolin with highly flamed maple back, sides and neck, carved solid spruce top, Fern peghead inlay and logo in pearl, gold hardware, bound peghead, and a radiused ebony fretboard with a 1 1/8 inch nut. Original from Gibson with the larger guitar frets for easier playing. Great playing mandolin that shows no playing wear. This one has the sound - powerful chop and bark, very strong tone - excellent bluegrass mandolin. This mandolin was likely built in Bozeman but it has an early Nashville label; hence there is no builders signature label. Comes with the original hardshell case...USD $5250

camera gif  2001 Flatiron F5 Artist Mandolin
(Serial No. 10712010) Near mint condition, sunburst finish. Top of the line mandolin for Flatiron. When Gibson went to the NAMM show in 1987, these were the high quality mandolins they were competing with. They couldn't beat them, so they bought the company. Built on the same line side by side with Gibsons, the difference between Gibson and Flatiron is the Flatiron Artist has a different peghead name and finish color, X top bracing and a radiused fretboard with the larger frets. Excellent sounding and playing F5 scroll mandolin with a spectacular piece of highly quilted maple in the back, sides and neck, carved solid spruce top, side bound like Bills mandolin, Fern peghead inlay and logo in pearl, gold hardware, bound peghead, and a radiused ebony fretboard with a 1 1/8 inch nut. Original from Gibson with the larger guitar frets for easier playing. Great playing mandolin that shows no playing wear. This one has the sound - powerful chop and bark, very strong tone - excellent bluegrass mandolin. Fitted with an internal K&K pickup and an endpin jack. Just listen to this video clip of this mandolin as played by by Richie Dotson of Acoustic Box LLC in Chesterfield VA. This mandolin has an early Nashville label and was built in the Derrington era. Comes with the original hardshell case...USD $5250

GIBSON MANDOLAS AND MANDOCELLOS

camera icon 1923 Gibson H1 Mandola
(Serial No. 74352 FON 11953) Loar era instrument. Mandolas are cool - they are tuned CGDA, a fifth down from a mandolin, and they have this huge resonate voice. They are excellent for giving a little bit different voice to your music by adding the deep tenor counterpoint. Excellent instrument that plays easy and has a deep woody tone. Has the slightly longer scale than a mandolin at 16 inches and the nut is 1 5/16. The H1 has a bound top and fingerboard and "The Gibson" as the pearl logo inlaid in the peghead, as well as the truss rod in the neck and the adjustable bridge - all of which are Loar improvements. Neck is straight, frets are good, no top sinkage. All original finish and hardware but missing the pickguard. I think the bridge base may be a replacement as it does not have the stamped date, but it looks correct otherwise. Tuners are the correct arrowhead end plates only used in 1923. There is an old vinyl strap burn on the treble edge of the top. Just set up by my luthier and its ready to go. The instrument has a big deep woody sound and is easy to play. It needs nothing but your fingers on the strings! Comes with the original hardshell case...USD $3750

camera icon 1920 Gibson H2 Mandola
(Serial No. 60754) Mandolas are cool - they are tuned CGDA, a fifth down from a mandolin, and they have this huge resonate voice. They are excellent for giving a little bit different voice to your music by adding the deep tenor counterpoint. Excellent instrument that plays easy and has a deep woody tone. All original finish and hardware. Has the slightly longer scale than a mandolin at 16 inches and the nut is 1 5/16. The H2 has the same appointments as the A4 mandolin. It is a red sunburst, fully bound on the top, back and fretboard, has the treble extension on the fretboard, and has "The Gibson" pearl logo and fleur-di-lise in the peghead. Neck is straight, frets are good, no top sinkage. Just set up by my luthier and its ready to go. It needs nothing but your fingers on the strings! Here is a link to a video of the mandola as played by by Richie Dotson of Acoustic Box LLC in Chesterfield VA. Comes with the original hardshell case...USD $3600

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FLATIRON MANDOLINS AND RELATED

flatiron peghead
Flatiron was started by Steve Carlson as "Back Porch Productions" in Bozeman, Montana in 1979. Bruce Weber was an early employee and built many of the mandolins. Their first mandolins were copies of the teens Gibson "Army-Navy" pancake mandolins. They later branched out into carved top instruments, and were building a superior mandolin to Gibson by the mid to late 1980s. In late 1987 Gibson bought Flatiron and moved all mandolin production from Nashville to Bozeman. Mandolins were built in Bozeman until 1998, when Gibson moved all production back to Nashville. In 2000 Gibson discontinued the Flatiron line, and later revived the name to use for cheap souvenir mandolins at the Opry Mills Store in Nashville. Current Flatiron mandolins are low quality Chinese imports.

Although Flatiron was the "budget" line, Gibson and Flatiron mandolins were built side by side in the plant by the same luthiers. Both are the same high build quality. There were some models of each that were identical and the only difference was the color of the finish and the name on the peghead. There are some basic differences in the upper end models. The top of the line Gibsons were always tone bar braced, used traditional size fret wire and had the classic fingerboard extension. The Flatiron top of the line Master and Artist mandolins were X braced, which many pickers think gives a more percussive chop. They also had abbreviated fingerboard extensions, had a radiused fretboard and used larger fret wire. The pre-Gibson carved top Flatirons are considered some of the best post war mandolins made. The Bozeman era Gibson and Flatiron mandolins are excellent bluegrass instruments.

camera icon 1989 Flatiron F5 Custom Mandolin
(Serial #89010375) Excellent near mint condition, "ice tea" sunburst finish. Looks nearly unplayed. This is a rare Flatiron Custom Shop mandolin. When Gibson went to the NAMM show in 1987, these were the high quality mandolins they were competing with. They couldn't beat them, so they bought the company. Excellent sounding and playing F5 scroll mandolin with highly flamed maple back, sides and neck, carved Sitka spruce top with parallel tone bar bracing, side bound like Monroes on the top, back, fretboard and peghead, "The Flatiron" and Gibson flowerpot peghead inlay in abalone and pearl, 1 1/8 inch nut, V profile neck, elevated and bound flat ebony fingerboard with block pearl inlays, bound pickguard, and gold tailpice and Schaller tuners with pearl buttons. This one has a good chop and bark - excellent bluegrass mandolin. Here is a short video clip here of this mandolin played by luthier Richie Dotson of Acoustic Box LLC. Signed by Dennis Balain. Bozeman built Flatirons are always heavily in demand. Most pickers won't part with theirs - once you play this one you'll know why. Comes with an original shaped hardshell case...USD $6250

camera gif  1998 Flatiron F5 Artist Mandolin
(Serial No. 80814029) Near mint condition, sunburst finish. Top of the line mandolin for Flatiron. When Gibson went to the NAMM show in 1987, these were the high quality mandolins they were competing with. They couldn't beat them, so they bought the company. Built on the same line side by side with Gibsons, the difference between Gibson and Flatiron is the Flatiron has a different peghead name and finish color, X top bracing and a radiused fretboard with the larger frets. Excellent sounding and playing F5 scroll mandolin with highly flamed maple back, sides and neck, carved solid spruce top, Fern peghead inlay and logo in pearl, gold hardware, bound peghead, and a radiused ebony fretboard with a 1 1/8 inch nut. Original from Gibson with the larger guitar frets for easier playing. Great playing mandolin that shows no playing wear. This one has the sound - powerful chop and bark, very strong tone - excellent bluegrass mandolin. Here is a link to a video of this mandolin as played by luthier Richie Dotson here in town. This mandolin was likely built in Bozeman but it has an early Nashville label; hence there is no builders signature label. Comes with the original hardshell case...USD $5250

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RATLIFF MANDOLINS

Ratliff peghead
Audey Ratliff runs a one-man shop making mandolins in east Tennessee. At one time he had a small production shop with assistants, but he found that the way to insure high quality workmanship and good sound was just to do it himself. He has now concentrated his efforts on building the finest F5 style bluegrass mandolin available. The mandolins sound better than ever...the bad news is that they're getting harder and harder to get. Audey may make the best bluegrass mandolin on the planet for under $5000...we invite you to be the judge.

camera icon  2017 Ratliff R5 Custom Anniversary Mandolin
(Serial No. 1000) New with lifetime warranty to the original owner. Audey has been building mandolins for over 40 years, and he decided to go all out on his 1000th mandolin. This is an exquisite custom mandolin, with a red spruce top, outraageously flamed and quited maple back and sides, beautiful lacquer sunburst finish, flat ebony fretboard, peghead overlay and bridge. Pearl logo in the peghead. Has a 1 1/8 inch nut. One piece gold Allen tailpiece. Sidebound like Monroes Loar. Audey carved the heel to give some extra style to the mandolin. This is a very full, rich sounding mandolin built by a top luthier as a showpiece for his skills. Even though its a new mandolin, it has that woody bluegrass bark and the excellent volume and tone that is typical of these mandolins. Here is a link to a video of this mandolin discussed and played by Audey. Comes with a new TKL hard shell case....USD $7500

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OTHER MANDOLINS AND RELATED

camera icon 1930s Harmony Biltmore A Style Mandolin
(Serial No. none) Excellent condition, blonde finish. Nice entry level mandolin made in the 1930s. Laminated top. All original. Plays easy as it was just set up by my luthier. Frets are good, neck is straight, neck set is good. Comes with the original softshell case...USD $450

camera icon1980s Kentucky KM-250S Mandolin
(Serial No. 12200) Excellent condition. There is no accurate serial number list of Kentuckys, so the date is an educated guess. It might be older. I got this in a trade from the original owner. Nice clean Kentucky A5 style mandolin with the snakehead heaadstock, solid spruce top and laminated maple back and sides. Rosewood bridge and fretboard. Plays nicely as it just set up by luthier Jerry Ray. Good woody bluegrass chop and bark. It needs nothing but your fingers on the strings! Comes with a hardshell case...USD $450

camera icon1990 Bob Givens F5 Mandolin
(Serial No. 542) Excellent condition bought from the original owner. This is one of the strongest mandolins I have ever had in the shop. I've had Givens mandolins before, and they were good, but this one blows them all away. It is a top quality professional mandolin, a very late build by legendary luthier Bob Givens when he was at the height of his ability. Probably an Engleman top, highly figured maple back, sides, and neck, nice red-brown-amber sunburst in nitrocellulose lacquer, fully bound with multiple binding, rounded V profile neck, ebony peghead overlay with the Givens logo and torch in pearl in the peghead, blackened back of headstock, flat ebony fretboard with a 1 inch nut, original ebony adjustable bridge, and original gold Schaller tuners with pearloid buttons. The tailpiece is original but the slide on cover is blank. Just set up and its plays wonderfully. This mandolin the equal of a Gibson Master Model, Ellis, Kimble, or any of the modern top makers. Here is a short video clip of this mandolin played by Richie Dotson of Acoustic Box LLC here in Chesterfield, VA.

This mandolin was entirely hand-cut and hand-carved by Bob Givens and all inlays were hand-cut and hand-inlaid by Givens. Even the very accurate fretting is from hand-cut slots by Bob Givens. It would be hard to find another 100% handmade mandolin with this degree of perfection. Original frets show slight denting in first position but play with no problem. The top center seam was invisibly reglued and cleated by luthier Harry Eibert in NY.

Do not let the 1 inch width of nut scare you away. Most Loar era Gibson F5s have the same nut width. The feel is very nice, the neck profile is professional and feels correct for this instrument. This is an outstanding mandolin. Great sound, power, playability, beauty, tone, and exceptional condition come together in this instrument. Comes with a nice hardshell case...USD $12,500

camera icon  1983 Luke Thompson F5 Mandolin
(Built June 25, 1983) There were not a lot of choices in quality luthier hand built F5s in the 1980s - Randy Wood, Sargent, Givens and Thompson come to mind. If you were picking bluegrass in Texas or Louisiana you saw Luke Thompson mandolins in the hands of most of the better pickers. Luke and his sons built mandolins in Baton Rouge, LA. This one has a one piece maple back and solid spruce top, tone bar braced, 1 1/8 inch nut on the flat ebony fretboard, ebony bridge and pearl peghead logo. I just had luthier Harry Eibert go through the mandolin and set it up. This is a mandolin that likes a heavy pick. Excellent sounding mandolin, good pop with strong volume and nice woody chop. Good response all across the strings and up and down the neck. The mandolin plays beautifully and has the sound you look for in good bluegrass mandolin. You won't see another Thompson at your local jam! You can own a good sounding and usable piece of bluegrass history. Comes with the original rectangular hardshell case....USD $3250

camera icon   1935 National Style N Mandolin
(Serial No. 302) Early Style N with triangular body, single resonator and 14 frets clear of the body. Has flat F holes and a round neck with a bound rosewood fretboard. Shows some playing wear on the cover plate and a few nicks and dents, but nothing major. Original hardware and finish. Typical with Nationals, the neck has some bow in it and would need a reset to play up the neck in standard. But that not what you want this for - its very cool just like it is for slide work, especially slide blues. Think Sam Bush. Sam plays slide mandolin - check out his sound to see all the possibilities. Very loud with a unique sound. Comes with a slide and a Travelite style foam hard case. Consigned. ..USD $1750

camera icon 1995 Phoenix Ultra Two Point Mandolin
(Serial No. 168) Excellent plus condition, medium red brown sunburst finish. Rolfe Gerhardt has been building mandolins since 1971. He has figured out how to get the sound out of them. This is a two point A style specifically designed & voiced for medium gauge strings. It has a hand-carved Douglas fir top, flamed solid red maple maple back with carbon fiber truss rod, maple sides and neck, carbon fiber/red spruce laminated braces, 1 3/16 inch pearl nut, and a radiused ebony fingerboard. Gabon ebony was used for the fingerboard and bridge. The stunning peghead inlay of a Phoenix in flight is complemented by the rare rippled green abalone fretboard and body inlays and the body edge binding top and back. Custom plated black and gold tuners and a black chrome plated tail piece and cover complete the elegant appearance. Just set up by luthier Jerry Ray so its plays very well. Excellent sounding mandolin with strong volume, incredible responsiveness, and a sweet rich tone that will get loud and chop when needed. Here is a link to a YouTube video of this instrument. Comes with the original hardshell case...USD $4950

camera icon 2009 Pomeroy F5 Mandolin
(Serial No. 134) Excellent condition. Lacquer sunburst finish that has been sanded by Pomeroy with steel wool to reduce gloss. Has an one piece back and sides of flamed maple, solid Englemann spruce top, tone bar bracing, flat ebony fretboard and bridge, 1 1/8 inch nut, and pearl logo. Has a silver engraved James tailpiece. The fretboard was built shortened to eliminate pick click. Nickle Grover tuners with pearl buttons. Fully bound. Fitted with a custom bound ebony pickguard. Shows almost no playing wear. Very good sounding mandolin with good response all across the strings and up and down the neck. Just set up by my luthier so the mandolin plays like butter and has an excellent bluegrass chop. Here is a link to a YouTube video of this instrument. Comes with a nice hard shell case.....USD $3650

camera icon 1992 Randy Wood A5 Mandolin
(Serial No. 1892) Very nice and clean example of Randys's work. This mandolin has a red spruce top, probably lacquer finish, flamed maple back, sides and top, 1 1/8 inch nut on the radiused ebony fretboard, ebony Randy Wood bridge, pearl logo and peghead inlay. Its fitted with Randy's one piece tailpiece and new Waverly tuners with pearl buttons. It was drilled for a pickguard but the guard is missing. Just set up by luthier Richie Dotson so it plays like butter. Here is a link to a video of this mandolin as played by Richie. Excellent strong sounding mandolin with good volume, responsiveness, and a sweet tone that will get loud and chop when needed. Comes with the nice hardshell case...USD $3750

camera icon  1987 Red Diamond Electric Mandolin
(Serial No. none) I called Don McRostie (Red Diamond Mandolins) and asked about this one. Don is closely associated with Stewart McDonald in Ohio and this was a Stew Mac kit. Don is not exactly your typical kit builder, however, as he is one of the premier mandolin builders in the US. This mandolin features a hollow body, a rock maple neck with 8 strings, a Lawrence blade pickup, pearl logo, Schaller tuners, a McClung armrest, and of course, a premium top quality lacquer finish. has a volume and tone control. In my opinion the the 8 strings give more of a mandolin shimmer to the sound over the typical single string electric mandolin. Its just been set up so it plays very easy. No issues I can see with this one. Comes with a nice rectangular hardshell case....USD $1750

camera icon  2013 Skip Kelley F5 Mandolin
(Serial No. 042) Near mint condition. Don't confuse this with the import Chinese mandolins with almost the same name on the peghead. Thomas "Skip" Kelley has been building professional level mandolins for over a decade. This model is called the "Claro F". This one has a dark uniform brown hand applied gloss varnish finish, figured claro walnut back and sides, Adirondack red spruce top, the body and neck are fully bound in tortoise shell, cocobolo peghead veneer and a bound flat cocobolo fretboard with a 1 1/8 inch nut, V neck profile, gold Schaller tuners, one piece cast Allen tailpiece, and pearl logo and peghead inlay. The fretboard is deliberately shortened and scooped to eliminate pick click. The frets were dressed and the mandolin was just professionally set up by luthier Jerry Ray. Big wide open sound, plays easy and has excellent volume and tone with nice cut and drive for your bluegrass band. Skip emailed me a Youtube link to him playing this mandolin. Here is a link to a YouTube video of this instrument, as played by Skip himself. Here is a link to a second video of the mandolin as played by by luthier Richie Dotson.This mandolin will cut a banjo. Comes with a nice shaped Superior hardshell case...USD $3450

camera icon2006 Sumi F5 Custom "Lonesome" Mandolin
(Serial No. 06437) Near mint condition, sunburst finish. Looking for a hand built professional grade f5 mandolin? This is one of three mandolins built by Sumi for Andy Ownens of IBMA and called the "Lonesome" series. Andy and his son play two of them. As Sumi and Andy are friends, you would expect this mandolin has a bit of extra attention in the build. It has a hand carved 500 year old Japanese red spruce top, beautiful birdseye maple back and sides, nickle hardware, custom tortoise shell truss rod cover, thin varnish finish, and a flat 1 1/8 nut on the ebony fingerboard. Neck has a v profile. Double bound on both the sides and top/back with triple binding, triple bound headstock, pearl logo and custom sea turtle peghead inlay, and there is an inlay of Lonesome on the 12th fret. The fretboard is scooped on the end to eliminate pick click, but in true attention to detail the last 7 frets are inlaid flush to maintain the overall appearance of the instrument. Sumi is the master luthier that built the famous 1980s Kentucky KM-1500 and Dawg mandolins. He has continued to build under his own name since 1993. Very clear tone - the bass is strong, powerful and not muddy, and the trebles are clear and open. Good chop and bark, strong volume and nice action as it was just set up by my luthier. This is a strong professional instrument built for a master player. Here is a link to a video of the mandolin as played by by Chris Fuller here in Richmond. Very clean mandolin showing no sign of playing. Comes with a nice hardshell case.....USD $3950

camera icon1930s Kay Strad-O-Lin Mandolin
(No serial number) Good entry level vintage instrument. I think this is 1930s production based on the logo, the tuners and the plastic body binding. I also confirmed this with a known 1930s instrument, and the logos are identical. Structurally fine with a maple back and spruce top. Has the original see through pickguard. The reset of the hardware and finish also look original. Frets are good and the mandolin has just been set up so it plays nicely. Very good sound. Its not a Gibson F5 but its still a good sounding mandolin. Here is a link to a video of the mandolin as played by by Richie Dotson here in Richmond. Has a more modern cardboard case. ....USD $600

camera icon2015 Weber Yellowstone F5 Mandolin
(Serial No. 15500606) Near mint condition. This is the main workhorse mandolin for Weber, and it carries the load well. This mandolin will give you that good bluegrass sound. Has a sunburst lacquer gloss finish, a solid carved Adirondack red spruce top which gives it good cut and chop, traditional tone bar bracing, heavily flamed maple back, sides and deep V profile neck, fully bound, nickle Grover tuners with pearl buttons, Weber one piece cast tailpiece, pearl "The Weber" logo, and an ebony Weber Traditional bridge. Bound radiused fretboard with 1 1/8 inch nut, slotted diamond position markers, and jumbo frets. Its a loud mandolin with good chop and a very warm woody tone. Very clean mandolin - anything that looks like a blemish is probably a reflection. Here is a link to a YouTube video of this instrument as played by Richie Dotson of www.acousticbox.com. Bruce Weber built a lot of Gibsons and Flatirons there in Montana. Now he has his own shop and is turning out high quality instruments. This instrument has just been set up by my luthier and is ready to go. It needs nothing but your fingers on the strings! Comes with the original grey Weber shaped hardshell case. ....USD $3600

camera icon2016 Weber Distressed Diamondback F5 Mandolin
(Serial No. 16514002) Near mint condition, but I'm not sure that term is applicable to a distressed model. One of the great things about a "distressed" mandolin is that the cosmetic condition just doesn't matter and you don't have to worry about blemishes and such, however this mandolin has been well cared for. Other than minor fret wear, she looks the same as the day she was shipped. The Diamondback is a upgraded Weber Yellowstone. This particular instrument was built with a Sitka spruce top, flamed maple back/sides/neck in a traditional tobacco sunburst satin finish, body, fretboard and headstock are bound in Ivoroid, 1 1/8 inch nut on the radiused ebony fretboard, speed neck, mother-of-pearl diamond position markers, Weber traditional bridge, pearl Weber logo, cast one piece Weber tailpiece and Grover tuning machines. Definitely has the "old school" look and feel, but more importantly, this mandolin sounds as "vintage" as she looks. Tons of deep woody and mid-range "pop". Quite traditional sounding. Responsive and very powerful. This is one of the best sounding Webers I have played. Here is a link to a video of the mandolin as played by by Chris Fuller here in Richmond. Bruce Weber built a lot of Gibsons and Flatirons there in Montana. Now he has his own shop and is turning out high quality instruments. This instrument has just been set up by my luthier and is ready to go. It needs nothing but your fingers on the strings! Comes with the original grey Weber hardshell case. ...USD $3800 ON HOLD for DG in PA

camera icon1911 Weymann Mandolute
(Serial No. 14251) Excellent condition. This is an early mandolute, as it has a round "Patent Applied For" label inside instead of the usual Weymann label. The patent was granted in 1912. The Weymann Mandolute was one of the products sold under Weymann, the Philadelphia-based brand of Weymann and Sons. The 'mandolutes' are mandolins. It has a 9-1/4" body width, teardrop shape withe the top slightly overlapping the ribs like a violin, Natural finish top with darker back and sides, top is spruce and back and sides are figured curly maple, 21 fret ebony fingerboard with dot inlays, beautifully intricate marquetry rosette, ebony bridge with added bone insert, tortoise pickguard inset into the top, herringbone top binding, engraved nickel tuning machine cover plates and nickle tailpiece cover, ivoroid tuner buttons, gold "WEYMANN - KEYSTONE STATE - MANDOLUTE" decal on back of peghead, Brazilian rosewood headstock overlay, 1-3/16" nut width and a 13-3/4" scale. Shows some minor playing wear but no cracks or repairs are evident. Has a nice low action as it was set up by luthier Richie Dotson here in Richmond. Here is a link to a YouTube video of this instrument as played by Richie. Comes with a newer cardboard case....USD $500

camera icon1931 Martin Style 20 Mandolin
(Serial No. 15234) Excellent minus condition, Gloss natural finish, 2-point teardrop shaped body, carved spruce top with ivoroid-bound oval soundhole, amber-stained flamed maple sides and carved back, ivoroid bound topand back, maple neck with bound ebony fingerboard, 24 frets, small pearl dot inlays, original ebony bridge, engraved clamshell tailpiece, Brazilian rosewood headstock overlay with cutout, inside on the the back has "Martin" stamp, original Waverly tuners with ivoroid buttons and stamping in plate, original tortoise plastic pickguard, 13-1/8" scale length, 1-1/8" nut width. This is an excellent and rare instrument (only 232 made) that was possibly their most successful mandolin tonally, comparable to the beautiful Lyon & Healy's top line. This is the model played by Bill Bolick of the famous country brother duo, the Blue Sky Boys. Easy action, nice sound, just set up by my luthier so it plays nicely. Very sweet and warm tone - this mandoln would record beautifully. Only repair noted is the back center seam has been glued and cleated, which is not visible from the outside. Comes with the original fitted hardshell case....USD $2750

camera icon1934 Martin Style A Mandolin
(Serial Number #A15543) Excellent plus condition showing only minor playing wear. Original lacquer finish with a Sitka spruce top, mahogany back and sides, rosewood fingerboard with small dot markers, rosewood bridge, tortoise binding and pickguard, original ebony nut. Good neck and original bar frets, plays nice with a low action but still has plenty of volume. Original tuners and tailpiece. Shows some finish checking on the top and some of the usual nicks and dings of a well loved instrument but no repairs noted. Great for old-time, Celtic, or jazz. Comes with the original softshell case....USD $800

camera gif  1920 Martin Style B Mandolin
(Serial No. 7804) Excellent condition with very little playing wear. This is the early style cutout peghead with the Martin stamp embossed on the back and no decal on the front. Beautifully grained Brazilian rosewood back and sides, spruce top, herringbone rosette and back strip, and an ebony fingerboard with slotted diamond inlays. Good neck and frets, plays nice with a low action but still has plenty of volume. Great for old-time, Celtic, or jazz. Nice tortoiseshell binding and pickguard. Original tuners and engraved tailpiece cover, which shows some wear. They is a discolored area on the top where the bridge sat in the wrong place for a while. Comes with a newer hardshell case....USD $1500

camera gif  1924 Martin Style B Mandolin
(Serial No. 11167) Excellent condition with very little playing wear. This is the early style cutout peghead with the Martin stamp embossed on the back and no decal on the front. Beautifully grained Brazilian rosewood back and sides, spruce top, herringbone rosette and back strip, and an ebony fingerboard with slotted diamond inlays. Good neck and frets, plays nice with a low action but still has plenty of volume. Has a small well-repaired side crack. Great for old-time, Celtic, or jazz. Nice tortoiseshell binding and pickguard. Original tuners and plain tailpiece cover. Comes with a newer hardshell case....USD $1500

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MANDOLAS, OCTAVE MANDOLINS, MANDOCELLOS, CITTERNS, AND BOUZOUKIS
camera icon 1923 Gibson H1 Mandola
(Serial No. 74352 FON 11953) Loar era instrument. Mandolas are cool - they are tuned CGDA, a fifth down from a mandolin, and they have this huge resonate voice. They are excellent for giving a little bit different voice to your music by adding the deep tenor counterpoint. Excellent instrument that plays easy and has a deep woody tone. Has the slightly longer scale than a mandolin at 16 inches and the nut is 1 5/16. The H1 has a bound top and fingerboard and "The Gibson" as the pearl logo inlaid in the peghead, as well as the truss rod in the neck and the adjustable bridge - all of which are Loar improvements. Neck is straight, frets are good, no top sinkage. All original finish and hardware but missing the pickguard. I think the bridge base may be a replacement as it does not have the stamped date, but it looks correct otherwise. Tuners are the correct arrowhead end plates only used in 1923. There is an old vinyl strap burn on the treble edge of the top. Just set up by my luthier and its ready to go. The instrument has a big deep woody sound and is easy to play. It needs nothing but your fingers on the strings! Comes with the original hardshell case...USD $3750

camera icon 1920 Gibson H2 Mandola
(Serial No. 60754) Mandolas are cool - they are tuned CGDA, a fifth down from a mandolin, and they have this huge resonate voice. They are excellent for giving a little bit different voice to your music by adding the deep tenor counterpoint. Excellent instrument that plays easy and has a deep woody tone. All original finish and hardware. Has the slightly longer scale than a mandolin at 16 inches and the nut is 1 5/16. The H2 has the same appointments as the A4 mandolin. It is a red sunburst, fully bound on the top, back and fretboard, has the treble extension on the fretboard, and has "The Gibson" pearl logo and fleur-di-lise in the peghead. Neck is straight, frets are good, no top sinkage. Just set up by my luthier and its ready to go. It needs nothing but your fingers on the strings! Here is a link to a video of the mandola as played by by Richie Dotson of Acoustic Box LLC in Chesterfield VA. Comes with the original hardshell case...USD $3600

camera icon 2014 Girouard Octave Mandolin
(Serial No. 81) Mint condition, looks almost unplayed. Very high build quality - this instrument is immaculate. Sunburst varnish finish, red cedar top with tone bar bracing, striped Macasser ebony peghead overlay with a pearl logo, adjustable truss rod, nice soft V neck profile, and beautiful flamed red maple for the sides and the one piece back. Scale length is 20 and 1/4 inches. Tuners are nickle open back Grovers with pearl buttons. The ebony fretboard is shortened to eliminate pick click. Excellent sounding instrument with good response all across the strings and up and down the neck. Just set up by my luthier so it plays like butter. Strap button added at the heel. Comes with the original shaped hardshell case...USD $2650

camera icon New Richard Beard OM3 Octave Mandolin
(Serial #52) New with warranty. This is an outstanding example of Richards fine craftsmanship. These are professional grade instruments. Tremendous resonance and response in this one. It has a strong and powerful percussive sound with a deep rich bass. The back and sides are flamed Hawaiian Koa which I think is a superior tone wood for long scale double course instruments. The fingerboard and bridge are ebony, and the top is Alaska Sitka. The top is x-braced with herringbone top trim and curly maple binding. The neck has an adjustable truss rod and the ebony fingerboard has slotted diamond inlays. Solid one piece tailpiece eliminates buzzing and loose covers. Fit and finish is first class professional work - as good as those famous guitar makers. Nut is 1 3/8 inch. Scale length is 21 1/4 inches so it gives the guitar-like resonance for backup rhythm playing but is still comfortable for melody playing. The x-braced top gives it plenty of punch for driving a session. Nice low action plays effortlessly with a great neck. Its currently tuned GDAE as an octave mandolin but any zook tuning like ADAD or GDAD would work as well. Handmade in North Carolina and comes with a custom fitted hardshell case...USD $3150

ELECTRIC MANDOLINS
For a brief discussion of Tiny Moore, Johnny Gimble and the Gibson EM-150 mandolin click here!

camera icon 1966 Fender Electric Mandolin
(Serial No. 02168) Excellent condition, sunburst finish. Absolutely too cool! This is the instrument informally known as the "Mandocaster". Think of a miniature Stratocaster in mandolin tuning with 4 strings, all original electronics, and original Kluson tuners. There is a small corner of the pickguard missing. This is an excellent sounding and playing electric mandolin. Minor wear and no repairs. Has the original black tolex Fender case. ..USD $2450

camera icon  1937 Gibson EM-150 Mandolin
(Serial No. 200 C 18) Near mint condition with a sunburst finish. Second year of production. EmM-150 mandolins were used by Tiny Moore and Johnny Gimble on their classic recordings. This is a nice A style with F-shaped sound holes with a carved spruce top, flamed maple one piece back and sides, the original hot Charlie Christian pickup mounted in the top, and a jack in the lower side. Fretboard is flush with the top. Classic 30s silkscreened "Gibson" logo on the peghead. Fully bound. All hardware and finish is original. Mandolin has just been set up buy my luthier so it plays right. It has a nice low action and has the classic Gibson Charles Christian EM-150 sound. This model has a good oldtime, bluegrass and country pedigree for stage and studio use. Comes with a newer hard case...USD $2150

camera icon 1952 Gibson EM-150 Mandolin
(Serial No. z1716) Near mint condition with a sunburst finish. These were used by Tiny Moore and Johnny Gimble on their classic recordings. This is a nice A style with F-shaped sound holes with a carved spruce top, maple back and sides, and the original hot P-90 pickup mounted in the top and a jack in the lower side. Fretboard is flush with the top. Classic "Gibson" decal logo above the truss rod cover on the peghead. Top bound only. All hardware and finish is original. Has some tarnish on the tailpiece cover, otherwise looks almost new. Mandolin has just been set up but my luthier so it plays right. It has a nice low action and has the classic Gibson post war EM-150 sound. This model has a good bluegrass and country pedigree for stage and studio use. Comes with the original hard case and one of the hang tags...USD $1750

camera icon 1987 Red Diamond Electric Mandolin
(Serial No. none) I called Don McRostie (Red Diamond Mandolins) and asked about this one. Don is closely associated with Stewart McDonald in Ohio and this was a Stew Mac kit. Don is not exactly your typical kit builder, however, as he is one of the premier mandolin builders in the US. This mandolin features a hollow body, a rock maple neck with 8 strings, a Lawrence blade pickup, pearl logo, Schaller tuners, a McClung armrest, and of course, a premium top quality lacquer finish. Has a volume and tone control in the top. In my opinion the the 8 strings give more of a mandolin shimmer to the sound over the typical single string electric mandolin. Its just been set up so it plays very easy. No issues I can see with this one. Comes with a nice rectangular hardshell case....USD $1750

MARTIN ACOUSTIC GUITARS
camera gif 1960 Martin 5-15T Tenor Guitar
(Serial No. 174079) Excellent well played condition with no cracks. The 5 series Martins are the smallest guitar made by Martin, and they are famous for putting out an astounding amount of sound for their size. Think Marty Robbins. This old warhorse is a prime example. Mahogany back and sides, mahogany top, and a rosewood bridge and fretboard. Decal logo on the peghead and dot fretboard inlay in pearl. Looks to be all original. Neck is straight, frets are good, neck was just reset by luthier Jerry Ray. The finish is starting to check somewhat, which is typical of these all mahogany guitars. Has a 23 inch scale with a 1 3/16 inch nut. Has a big sound and is perfect for either tenor guitar work or it can be tuned as a octave mandolin or ukulele. The typical tenor tuning is CGDA (using 9-13-20-27) but I have this one in GDAE (13-20-30-41) like a mandolin and it works fine. Comes with an old oversized chip case. ....$1100 USD

camera gif 1927 Martin 5-21T Tenor Guitar
(Serial No. 33470) Excellent well played condition with no cracks. The 5-21 Martins are famous for putting out an astounding amount of sound for their size and this old warhorse is a prime example. Brazilian rosewood back and sides, Adirondack red spruce top, and an ebony bridge and fretboard. Decal logo on the peghead and slotted squares fretboard inlay in pearl. It has a Brazilian rosewood peghead overlay. 23 inch scale. It's just had its cracked bridge replaced, a neck set, refretted with modern T frets, and a pro setup so it is ready to rock. Looks like it was oversprayed in the distant past. Original end pin and Grover banjo tuner style tuning pegs. The serial number #33470 is on the neck block and the C.F. Martin & Co. stamp is on the back of the peghead. A pre war Martin with a lot of bang for the buck. Has a big sound and is perfect for either tenor guitar work or it can be tuned as a octave mandolin or ukulele. Comes with an old oversized chip case.....USD $2950

camera gif 1948 Martin 0-18T Tenor Guitar
(Serial No. 105236) Excellent condition. Tenor guitar with four strings. The solid mahogany body with adirondack red spruce top gives these guitars a warm rich sound perfect for blues and fingerstyle. Has the original 1 11/16 inch ebony nut. Peghead overlay, bridge and fingerboard are Brazilian rosewood with a gold Martin decal logo on the peghead. Finish and hardware other than new bridge pins are original. Nice easy action as it just set up. There is a minor repaired outer pickguard crack - otherwise, the guitar is very clean. Neck was just reset. The neck is straight and the action is good. It plays easy and sounds great. Its a dynamite little guitar that sounds much bigger that it is. Comes with the original cardboard case.....USD $2650

camera gif 1959 Martin 0-18 Guitar
(Serial No. 169453) Excellent condition. These are great guitars for just sitting on the couch and picking. Very comfortable to hold and play as the lower bout is only about 13 inches. It has a sweet voice with lovely warmth and a long sustain. The guitar plays extremely well with a good neck angle and excellent original frets. All original finish with a mahogany back and sides, Sitka spruce top, tortoise binding, Brazilian rosewood fretboard and full height bridge, original pick guard and tuners, and a decal logo. Fitted with a K&K pickup on the bridgeplate and an endpin jack. There is one repaired mic stand injury on the bass side, otherwise its a crack free guitar. Shows a few very minor nicks and dings from playing, but overall this is a clean guitar. Just set up by my luthier. Has a full length 25 inch scale, a 1 11/16 inch nut, and an original long saddle bridge with a maple bridgeplate. This must have been an export guitar, as it has Made in USA stamped on the back of the peghead. Great sounding box with a nice low action. Comes with a newer hardshell case...USD $2950

camera gif 1927 Martin 028 Guitar
(Serial No. 54652) Excellent condition. These small body rosewood Martins are outstanding for fingerstyle, especially blues and ragtime. Has an Adirondack spruce top, Brazilian rosewood back and sides, ebony fretboard and bridge. Has the advaced scalloped bracing and the original 1 3/4 inch nut. V profile neck. Has the original bar frets. Luthier Harry Eibert in Syracuse recently reset the neck, dressed the frets and reglued the original Brazilian rosewood bridge. He also installed a carbon fiber truss rod on the neck so the guitar will support steel strings. Its currently set up with Santa Cruz low tension steel strings. All original hardware and finish. Has a few small back cracks that have been glued up, and a few minor nicks and dings from a lifetime of playing music. This was no case queen - this ones been out making music! Very comfortable guitar to play, nice low action and has a big sound all out of proportion to the small size. Comes in a modern soft case. ...USD $11,000

camera gif 1950 Martin 00-17 Guitar
(Serial No. 114209) Excellent condition. Bought from the family of the original owner here in town. Big volume from this guitar, very clear tone. All mahogany body including the top gives these guitars a warm rich sound perfect for blues and fingerstyle. Has the original ebony 1 11/16 inch nut. Peghead overlay, bridge and and fingerboard are Brazilian rosewood with a gold Martin script logo in the peghead. Nice easy action as the neck was just reset by luthier Richie Dotson, the frets dressed and the guitar was set up beautifully. Shows some minor player wear with a few nicks, dings and pickwear. No cracks which is unusual for mahogany guitar over 50 years old. No repairs evident. Comes with a newer hard shell case....USD $4250

camera gif 1951 Martin 00-17 Guitar
(Serial No. 119642) Excellent condition. Big volume from this guitar, very clear tone. All mahogany body including the top gives these guitars a warm rich sound perfect for blues and fingerstyle. Has the original ebony 1 11/16 inch nut. Peghead overlay, bridge and and fingerboard are Brazilian rosewood with a gold Martin script logo in the peghead. Nice easy action as the neck was just reset by luthier Richie Dotson, the frets dressed and the guitar was set up beautifully. Shows some minor player wear with a few nicks, dings and pickwear. No cracks which is unusual for mahogany guitar over 50 years old. No repairs evident. Comes with a newer hard shell case....USD $4250

camera gif 1958 Martin 00-17 Guitar
(Serial No. 159733) Excellent plus condition. Original finish and hardware. Excellent volume and tone. All mahogany body including the top gives these guitars a warm rich sound perfect for blues and fingerstyle. Nut has been changed to bone as is the saddle. 1 11/16 inch nut. Peghead overlay, bridge and and fingerboard are Brazilian rosewood with a gold Martin script logo in the peghead. I suspect the neck was reset at some time in the past as the action is low and easy, the frets are dressed and the guitar is ready to play. Shows some very minor player wear with a few nicks, dings and pickwear, but overall it is a very clean guitar. No repairs. Comes with a older slightly oversize hard shell case. ...USD $4250

camera gif 1945 Martin 00-18 Guitar
(Serial No. 92795) Excellent condition. Great sounding and playing small body guitar. Adirondack spruce top with unscalloped braces, mahogany back and sides, Brazilian rosewood fingerboard and bridge - whats not to like? All the good stuff coming to you in a small couch friendly package. Very well balanced guitar with a big open woody sound and strong volume. It would be a fabulous recording guitar. Has the standard 1-11/16 nut. Peghead overlay and fingerboard are Brazilian rosewood with gold Martin script logo. The neck was just reset by luthier Ward Elliott so the action is low with plenty of saddle. There is a repaired area on the lower side that is probably a jack hole repair. Bridge plate is original with the holes plugged and re-drilled professionally. Tuners look to be original. Has an ebony truss rod so its light and responsive. Wartime peghead has no tuner bushings as built. Shows player wear with the usual nicks, dings and pickwear. The top has turned a nice orange. Neck is straight, frets were just dressed and crowned. Strap button added at the heel. Here is a link to a YouTube video of this instrument, as played by local luthier Jerry Ray. Comes with a newer hardshell case....USD $5600

camera icon 1970 Martin 00-18 Guitar
(Serial No. 266896) Excellent plus condition. Nicely aged Sitka spruce top and mahogany back and sides. I think 00/000 size guitars are the best balanced as to sound, and they certainly are comfortable to play on the couch. These are about the size of a classical guitar. This one looks neartly unplayed and has a nice sweet punch to the sound. The rectangular closed back Grover tuners are original and I believe only used on this year. Rosewood peghead overlay with gold Martin script. Has a Martin C shaped neck profile with a standard 1 11/16 nut width. The neck was just reset by luthier Jack Dillen in Asheville, so the action is low and comfortable with plenty of saddle left. No repairs noted. The frets are in good shape and the neck is straight. Shows almost no finish checking and no scratches. Has a nice big open woody sound with strong volume. Comes with a period hard case....USD $3100

camera gif 1996 Martin OM-28V Guitar
(Serial No. 588038) Excellent condition - the guitar looks nearly unplayed. The Martin OM28-V Vintage Reissue guitar is a very close copy of the 1930s guitar. It has a solid Sitka spruce top with herringbone top trim and grained ivoriod binding (top and back), 1 1/4 inch advanced scalloped bracing, 1 3/4 inch nut, 2 5/16 inch bridge spacing, modified V profile neck, Indian rosewood back and sides with a zigzag backstripe, ebony fretboard with slotted diamond inlays, ebony bridge, and open back tuners with butterbean buttons. Has few nicks and dings but nothing major. Frets are good, neck is straight and in set. Excellent instrument for fingerstyle, but it responds well to a flatpick, too. Here is a link to a YouTube video of this instrument, as played by local luthier Richie Dotson .This instrument has just been set up by my luthier and is ready to go. It needs nothing but your fingers on the strings! Comes with the original very nice velour lined Geib style hardshell case....USD $2750

camera icon 1948 Martin 000-18 Guitar
(Serial No. 108119) Excellent minus condition. Nicely aged spruce top and mahogany back and sides. Martin is supposed to have used Adirondack spruce for the tops until the early 50's, but no one can really tell by looking at it. To be sure, you have put it under a microscope in a lab. The open back Kluson tuners are original. Rosewood peghead overlay with gold Martin script. Has that nice meaty 40s Martin C shaped neck profile with a standard 1 11/16 nut width. Weighs almost nothing - this guitar is light as a feather. The bridge has been reglued, there is the usual pickguard crack repair under the high e string, and a couple of short dryness side cracks have been professionally glued. No other repairs noted. It does have some minor scratches, nicks and dings and honest pickwear from 60 years of playing. Neck has probably been set at some time in the past as the action is low and comfortable. The frets are in good shape and the neck is straight. Has a nice big open woody sound with strong volume. Comes with a 1990s black Martin hardshell case....USD $6950

camera icon 1955 Martin 000-18 Guitar
(Serial No. 141513) Excellent plus condition. Nicely aged spruce top and mahogany back and sides. Martin is supposed to have used Andirondack spruce for the tops until the early 50's, but no one can really tell by looking at it. To be sure, you have put it under a microscope in a lab. This is a beautiful piece of crossgrained spruce. Weighs almost nothing - this guitar is light as a feather. The open back Kluson tuners are original. Rosewood peghead overlay with gold Martin script. Has a Martin C shaped neck profile with a standard 1 11/16 nut width. The action is low and comfortable with plenty of saddle left. No repairs noted. The frets are in good shape and the neck is straight. Shows some finish checking and some minor scratches, nicks and dings and honest pickwear from 60+ years of playing. Has a nice big open woody sound with strong volume. Comes with a newer molded Martin hardshell case.....USD $5100

camera icon 1956 Martin D-18 Guitar
(Serial No. 138435) Structurally fine guitar with a little pick and playing wear. Nice old D18 with a Sitka spruce top, mahogany back and sides, and a rosewood fretboard with the original rosewood long saddle bridge. All finish and hardware are original. No repairs noted. The guitar has had a recent neck set and set up with a nice tall saddle, and it plays like butter with a nice low actions. Frets were just dressed so they are fine. It has the loud, dry woody sound you only get from a 60+ year old mahogany guitar, with that signature Martin boom on the bottom end. Excellent condition. Comes in a newer hard shell case.....USD $5500

camera gif 1962 Martin D-18 Guitar
(Serial No. 185558) Excellent condition. This is what a good bluegrass guitar is all about. Well played old festival warrior D-18 has a Sitka spruce top and mahogany back and sides. Shows some playing wear and has a few nicks and dings - this guitar was played a lot because it sounds so good! Tuners are original closed back Klusons. Neck is straight, neck was just reset and a new saddle made by luthier Harry Eibert, and the frets were dressed at that time. Has tortoise pickguard and binding and the small maple bridge plate. It has the dry woody sound you only get from a 50 year old mahogany guitar, with that huge Martin boom on the bottom end. Very powerful bluegrass sound. Nice low action with plenty of saddle left. A few small dryness cracks were repaired on the sides but overall its a straight guitar. Comes with what looks like an original Martin hardshell case....USD $4950

camera gif 1967 Martin D-18 Guitar
(Serial No. 222361) Excellent minus condition. It has the classic Martin D18 features with a solid mahogany back and sides and a solid Sitka spruce top, Brazilian rosewood fretboard and bridge, and the correct Patent Applied For Grover tuners. Original finish and hardware. Has a few nicks and dings and but overall a clean guitar. Neck was just reset and the guitar set up by luthier David Sheppard. It plays great with a nice low action. Has a repaired pickguard crack and a filled jack hole in the lower treble side. Must have had an oversize guard at one time as you can see the shadow on the top. Black binding and replaced black standard pickguard but still has the small maple bridge plate. Good powerful guitar that can really drive your sound. This is an excellent sounding D18. Comes with a 70s Martin molded hard shell case missing the logo plate....USD $3450

camera gif 1967 Martin D-18 Guitar
(Serial No. 228250) Excellent structual condition and very good cosmetics. If you are looking for a festival or campground warrior this is your guitar. This is the classic Martin D18 - solid mahogany back and sides and a solid spruce top. Tuners are the correct Grovers marked Patent Applied For. Has a few glued and cleated dryness crack repairs on the sides and there is a back crack repair on the lower back. You can see an odd diagonal mark on the lower back - I think there was some tape there to hold the crack closed, and when it was removed it left a mark. There are some cleats on the inside back as well in this area. Has some fretboard grooves from fingernails. Thats all the bad stuff. The good stuff - the guitar is really strong sounding and will cut a banjo. The neck was just reset, the frets were dressed and the guitar was set up by luthier Jack Dillen in Asheville. Neck is straight, neck set is fine and it plays great with a nice low action. Has the black binding and pickguard. It has the preferred small maple bridge plate and a Brazilian rosewood bridge and fretboard. This one has that solid Martin "boom" you need in a good bluegrass guitar. Plays very easy with a nice low action. This is an excellent sounding D18 that will drive your music. Comes with a newer molded hardshell case....USD $2600

camera gif 1969 Martin D-18 Guitar
(Serial No. 252108) Excellent minus condition. This is the classic Martin D-18 - solid mahogany back and sides and a solid spruce top. Original finish shows some playing wear as this guitar did duty in countless bluegrass jams here in Virginia. Neck is straight, neck set was just reset by luthier Jack Dillen in Asheville, NC, and the frets are fine. Brazilian rosewood fretboard and bridge. Bridge may be replaced and shows evidence that it was reglued. Original black pickguard and binding. Grover patent pending tuners are original to the guitar. This guitar has that big solid Martin "boom" you need in a good bluegrass guitar. Plays very easy with a nice low action. This is a excellent sounding well played and nicely aged D-18. Comes with a newer hardshell case ...USD $3500

camera gif 1971 Martin D-18 Guitar
(Serial No. 276433) Near mint condition, collector clean. This is the classic Martin D18 - solid mahogany back and sides and a solid Sitka spruce top. Looks very clean with just very minor handling dings. Neck is straight, frets are good. The guitar was set up and the neck was reset by luthier Richie Dotson and the action plays nicely. Bridge is untouched. Shows just the slightest bit of finish checking in the back center seam near the endpin. Strap button added at the heel. Fitted with an undersaddle pickup and endpin jack. Has that solid Martin "boom" you need in a good bluegrass guitar. This is a excellent sounding nicely aged D18. Comes with the original blue molded Martin hardshell case just as clean as the guitar. ...USD $3250

camera gif 1955 Martin D-28 Guitar
(Serial No. 144623) Excellent condition. This is a powerful bluegrass guitar with all the punch and drive you expect in a older Martin. Finish and hardware are original. Nicely aged spruce top and old growth straight grain Brazilian rosewood back and sides. This guitar was thoroughly gone though recently by luthier Harry Eibert in NY who reset the neck, dressed the frets, set up the guitar, and repaired the ding in the lower bass side top and the outside pickguard crack on the treble side. Has the standard 1 11/16 inch nut, ebony fingerboard and bridge, rosewood peghead overlay with gold Martin script, and the original waffle back tuners. Plays easy with low action, and has a nice big open woody sound with strong volume. Lots of buckle wear on the back. Has the expected finish checking, pickwear, and the usual nicks and dings of a well loved and much played guitar. Here is a short video clip here of this guitar played by luthier Richie Dotson of Acoustic Box LLC. Comes with an original hardshell case. Warning - this guitar has been known to get out of its case in the middle of the night and go hunting banjos...USD $13500

camera gif 1961 Martin D-28 Guitar
(Serial No. 179644) Excellent condition. This is an outstanding bluegrass guitar with all the punch you expect in a older Martin. Nicely aged spruce top and highly figured Brazilian rosewood back and sides. Ebony fretboard and bridge. The neck has been reset in the past and luthier Steve Kovacik just set up the guitar so it plays wonderfully. No cracks or crack repairs - not even a guard crack. Has the standard 1 11/16 inch nut and an ebony fingerboard and bridge. Rosewood peghead overlay with gold Martin script. Has a nice big open woody sound with strong volume. I think the bridge was slightly shaved in the past from the bottom to lower the action as the wings on the bridge look thinner to me than standard, but there is plenty of saddle left. Has a spot of buckle rash on the back and the expected finish checking, pickwear, and the usual nicks and dings of a well loved and much played guitar. Here is a short video clip here of this guitar played by luthier Richie Dotson of Acoustic Box LLC. Finish and hardware are original. Comes with the original hardshell case. ...USD $9300

camera gif 1962 Martin D-28 Guitar
(Serial No. 181410) Excellent condition. This is a really strong bluegrass guitar with all the punch you expect in a older Martin. Nicely aged spruce top and highly figured Brazilian rosewood back and sides. I suspect this guitar had a recent neck set, as the action is perfect. No cracks or crack repairs - not even a guard crack. Has the standard 1 11/16 inch nut and an ebony fingerboard and bridge. Has the long saddle bridge and the small maple bridge plate. Rosewood peghead overlay with gold Martin script. Plays easy with low action, and has a nice big open woody sound with strong volume. Has the expected finish checking, pickwear, and the usual nicks and dings of a well loved and much played guitar. Finish and hardware are original. Comes with an older maybe original hardshell case...USD $9200

camera gif 1967 Martin D-28 Guitar
(Serial No. 214540) Very clean guitar, excellent repaired condition with only minor playing wear. Has the usual Martin pick guard crack that has been cleated but that's it for repairs. Just back from a neck reset and fret work by luthier Richie Dotson. Old growth figured Brazilian rosewood back and sides, Sitka spruce top, ebony fretboard and bridge, and a standard 1-11/16 inch nut. Original nickle Grover Rotomatic tuners. Neck is straight, frets are good, neck set is good. Nice low action. Has the pocket saddle which makes it easy to add a pickup and the small maple bridge plate, which helps give this guitar that big booming Martin sound. It must have been played as a lefty for a while as it has the shadow of another pick guard on the bass side. Bridge shows the slightest indication it may have been off and on, and there is a very well-repaired heel crack. Its repaired so well I did not see it when I bought the guitar, and I did not find until I used a blacklight. Comes with a newer Martin hardshell case....USD $6800

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GIBSON ACOUSTIC GUITARS

camera icon 1933 Gibson L-00 Guitar
(Factory Order No. 858) Excellent condition. I think this is a 1933 based on the size of the top sunburst and the unbound back. Nice guitar with all original finish showing some minor playing wear but no structural repairs. Its possible the body has been oversprayed as the finish is very dark. Has a mahogany back and sides and a x-braced mahogany top with sunburst finish, replaced firestripe guard that follows the body contour, original ebony 1 3/4 inch nut on the chunky V profile neck, small straight bridge, bound top only, and a silkscreened white script Gibson logo in the peghead. The bridge and few braces were reglued, the frets were dressed and the guitar was set up by by luthier Richie Dotson here in town. Action is 3/32 inch on treble and 5/32 inch on the bass side. The guitar is all solid and in good playing condition. The tuners are the original squared end brass plate tuners with black buttons. Gibson generally used white buttons on the Gibson brand and black buttons on Kalamazoo, but during the Depression they would use whatever they had on hand. The G tuner shaft is bent a little but it still works well. Frets are good and the neck is straight. This has a big sound - its one of the better sounding L00s to come through here in a while. Perfect for ragtime and fingerstyle playing. It's in excellent playing condition - all it needs is your fingers on the strings! Comes with a newer hardshell case..USD $3350

camera icon 1938 Gibson L-00 Guitar
(Factory Order No. illegible) Excellent playing condition with some repairs and playing wear. I'm calling this a 1938 based on the size of the sunburst, the bound back, the wider nut and the earlier fire stripe style pickguard, but it could be as early as 1937 or as late as 1941. The factory order number is faintly legible on the neck block but cannot be read. Nice guitar with all original finish showing some playing wear and a reglued bridge. Has a mahogany back and sides and a x-braced spruce top with sunburst finish, 14 fret body, firestripe guard that follows the body contour, original ebony 1 3/4 inch nut on the chunky v profile neck, small straight bridge, bound top and back, and a silkscreened white script Gibson logo in the peghead. The bridge and few braces were reglued and the guitar was set up by by luthier Jerry Ray here in town. It shows some playing wear on the fretboard and back of the neck, and a bunch of small nicks and dings on the body, but no significant repairs evident. The guitar is all solid and in good structural condition now. The tuners are the original 3 on a plate Klusons with the original white buttons. They work very well. Frets are good and the neck is straight. Its sounds much larger than a small body guitar. Perfect for ragtime and fingerstyle playing. It's in excellent playing condition - all it needs is your fingers on the strings! Comes with a newer hardshell case....USD $4250

camera icon 1964 Epiphone FT30 Callabreo Guitar
(Serial No. 243743) Very good condition. Made by Gibson and the guitar is very similar to the Gibson LGO. Body is 14.5 inches wide, all mahogany, top bound only in tortoise, original single line 3 on a strip tuners, original E logo truss rod cover and screwed down pickguard. I think the bridge has been replaced, as the original was likely plastic that warped. No cracks or other structural repairs noted. Good action and playability. Has a old-time sound as the guitar is ladder braced. Comes with a softshell case...USD $850

camera icon 1953 Gibson LG-2 3/4 Guitar
(Serial No. 331Y) Excellent condition. Gibson's original travel guitar. Body is 12 3/4 inches wide with a 22 3/4 inch scale and 1 1/2 inch nut. Spruce top with straight across ladder bracing, sunburst top finish and natural finished mahogany back and sides. Also has a teardrop guard, small rectangle bridge, triple bound top and single bound back, and gold Gibson peghead logo. Strap button added at the heel. Has a nice low action, as the neck was just reset by luthier David Sheppard. Completely solid and a great playing and sounding guitar. Comes with a newer hard case...USD $2900

camera icon 1946 Gibson LG-2 Guitar
(Serial No. s760925) Excellent restored condition. Well played and structurally sound small body Gibson with more volume and tone than you would expect for the size. It has the typical finish checking and shows some playing wear, as I'm sure this was the go-to guitar for the previous owner. I took this down to a 15 person old time jam here in town and you could still hear this guitar. Everything is original except for the bridge. Sunburst finish, X braced Sitka spruce top, mahogany back and sides, Brazilian rosewood fretboard with pearl inlays and a Brazilian rosewood bridge. Has the standard 1950s Gibson nut width of 1 11/16 inch. The Kluson tuners are original and work well. The frets are in good shape and the neck is straight. Nice tall saddle, about 1/8 inch. Has a nice low action as the neck was reset by luthier Richie Dotson here in Richmond. Here is a link to a YouTube video of this instrument as played by Richie. Comes with a newer hardshell case or the original cardboard alligator print - your choice....USD $4200

camera icon 1959 Gibson LG2 Guitar
(Serial No. s760925) Excellent restored condition. Well played and structurally sound small body Gibson with more volume and tone than you would expect for the size. It has the typical finish checking and shows some playing wear, as I'm sure this was the go-to guitar for the previous owner. I took this down to a 15 person old time jam here in town and you could still hear this guitar. Everything is original except for the bridge. Sunburst finish, X braced Sitka spruce top, mahogany back and sides, Brazilian rosewood fretboard with pearl inlays and a Brazilian rosewood bridge. Has the standard 1950s Gibson nut width of 1 11/16 inch. The Kluson tuners are original and work well. The frets are in good shape and the neck is straight. Nice tall saddle, about 1/8 inch. Has a nice low action as the neck was reset by luthier Richie Dotson here in Richmond. Here is a link to a YouTube video of this instrument as played by Richie. Comes with a newer hardshell case or the original cardboard alligator print - your choice. ...USD $2850

camera icon 1951 Gibson LG3 Guitar
(Serial Number: 7038 17) Excellent condition. The LG3 is the natural top version of the LG2. Mahogany back and sides and a X-braced spruce top, the small tortoise pattern pickguard, tapered headstock, small rectangle bridge, single bound top and single bound back, and the gold Gibson decal peghead logo. The Kluson tuners are reissues but they use the exact same mounting holes as the originals. I think the top may have been lightly oversprayed in the distant past as the finish checking is correct but it black lights a little differently from a known original. The neck has been reset at some time in the past, as the action is very low and comfortable. The gloss on the back of the neck has been dulled with steel wool to give a better playing feel. Great sounding guitar with a sweet tone and good volume. No repairs noted. Completely solid and a great playing and sounding guitar. Comes with a soft shell case that fits well...USD $3750

camera icon 1945 Gibson Southern Jumbo Banner Guitar
(Order No. 2426-13) Excellent minus condition, original sunburst finish showing playing wear. I'm guessing a bit on the year, but its either a 1944 or a 1945. Original banner peghead wartime Gibson. This is a tremendous guitar - the sound just rolls out of it. The more you dig in, the more the guitar gives back. The sound is very full, rich and well balanced. These are the most sought after of the slope shoulder Gibsons, and for good reason. A lot of players like the big beefy neck in these Banners. Has mahogany back and sides, tapered headstock, double parallelogram fingerboard inlay, multiple ply binding, 2 piece spruce top, and the small pickguard and bridge. Nut is 1 3/4 inch, saddle spacing is 2 1/8 inch. Excellent playing guitar as the neck was just reset and partially refretted by luthier Harry Eibert in NY. Its an exceptional sounding guitar as well with the powerful yet sweet tone you only get from these early Banners. Action from the fingerboard is 5/32 on the bass side and 3/32 on the treble, right where it should be. The neck is an original three piece laminate, and there is a repair to a crack on one side only of the heel. It was repaired completely by Harry when the neck was out for the reset. Big sound and a very scarce guitar. It is over 60 years old - who knows what stories it could tell. Its just a great old Gibson. Comes with an old probably original hardshell case...USD $10500

camera icon 1955 Gibson J45 Guitar
(Serial No. W2328_10) Excellent structural condition showing some pick wear. The guitar was entirely gone through and then set up by Steve Peck, a top luthier here in town. This is one of those guitars you just want to play for hours once you pick it up. Nice well played and open sounding guitar with the only repairs being a typical pickguard crack and maybe a short back crack repair. Plays nice and easy - its as comfortable as an old pair of jeans. The sound just rolls out of this guitar. Its been played a lot and its loud and very responsive and open sounding. It really nails the slope shoulder Gibson midrangy dreadnaught sound. Sunburst finish, spruce top, mahogany back and sides, Brazilian rosewood fretboard with dot inlays and original Brazilian bridge with fixed saddle. The Kluson tuners are original with new buttons and work well. The frets are in excellent shape and the neck is straight. Shows some pick wear and nicks and dings as would be expected with a well loved guitar, including a spot of buckle wear on the back and some fretboard grooves. Strap button added at the heel. Comes with a newer hardshell case....USD $5300

camera icon 1955 Gibson J50 Guitar
(Serial No. w 9349) Excellent/near mint condition. It does have a few nicks and dings and some typical minor finish checking - it is after all over 50 years old - but it is in remarkably nice condition. The sound just rolls out of this guitar. It really nails the slope shoulder Gibson midrangy dreadnaught sound. Natural finish spruce top, mahogany back and sides, Brazilian rosewood fretboard with dot inlays and original Brazilian bridge with fixed saddle. No repairs or refinish. The neck was recent reset. The frets are in excellent shape and the neck is straight. Comes with the original alligator print cardboard case. ...USD $6200

camera icon 1957 Gibson J-50 Guitar
(Serial No. U658 26) Excellent condition with some repairs. Excellent sounding guitar - it also really nails the slope shoulder Gibson midrangy dreadnaught sound. Natural finish spruce top, mahogany back and sides, Brazilian rosewood fretboard with dot inlays and original Brazilian bridge with fixed saddle. No structural repairs or refinish. The guitar plays very well so I suspect the neck was reset and the neck was refretted, as both the neck set and the frets are perfect. The pickguard is new as it partially covers up some serious pick wear. Tuners are the correct Klusons but are a few years newer than the guitar. Shows some pick wear at the edge of the pick guard and some arm wear where you arm comes over the top. That makes sense; a guitar that sounds this good was played a lot. Big sound, great playability and a good price - what more can you ask for? Comes with the original brown gator print case....USD $5500IN THE SHOP

camera icon 1961 Gibson Country Western Guitar
(Serial No. 13672) Excellent plus condition. The Country Western is the same model as the Southern Jumbo but with a natural finish top. Otherwise the guitars are identical. Fabulous sounding guitar that really nails the Gibson midrangy slope shoulder dreadnaught sound. Natural top finish, Sitka spruce top, mahogany back and sides, Brazilian bound rosewood fretboard with double parallelogram inlays and Brazilian bridge, and seven layers of top binding. Still has the tall thin 50s style top and back braces and the wider 1 11/16 inch nut. Has the early 60s style tall thin knife edge bracing. The Kluson tuners are original. The frets are in good shape and the neck is straight. Original finish and no repairs other than two very minor back cracks that have been professionally repaired by luthier Dave Sheppard. Very clean guitar showing almost no playing wear. Plays great with a nice low action as the guitar was set up by luthier Jerry Ray here in Richmond. Has a nice big open woody sound with strong volume and good midrange - exactly what you are looking for in a slope shoulder Gibson dread. Comes with a newer hard shell case....USD $5350

camera icon 1955 Gibson J-160E Guitar
(Serial No. W1727-29) Excellent condition. This was the model that John Lennon owned and played. It was also used by George Harrison and features on several famous Beatles recordings including Please Please Me, A Hard Days Night and many more throughout the 60s. Has a dark sunburst finish, one P-90 type pickup with endpin jack, laminated spruce top, mahogany back and sides, 20 frets, rosewood fretboard and bridge, 1 & 11/16 inches wide at the nut,pearl logo and fretboard inlays. Early version of this guitar with the adjustable bridge and the larger thumb wheels. Probably had different tuners at one time as the bushings are not correct and it looks like newer Keystone buttons on a set of original Kluson tuners. Strap button added at the top of the heel. Electronics work well and gives a big sound as you would expect. Nice low action, neck is straight, neck set is good and the frets are fine. Has the usual nicks and dings of a guitar used for 50 plus years to make music, but no cracks and no repairs or refinish noted. Comes with somewhat beat original alligator print cardboard case or a newer hard shell case - your choice...USD $5500

camera icon 1990 Gibson J-185 Guitar
(Serial No. 92200011) Excellent condition showing only light playing wear. Blond finish, first year of reissue, classic small body jumbo with a 16 1/8 inch wide lower bout. Has highly figured maple back and sides with Sitka spruce top, 14 fret mahogany neck, peghead has pearl logo and crown inlay. Has a bound rosewood fretboard with pear split parallelogram inlays, rosewood reverse belly bridge with pearl cross inlays, tortoise plastic pickguard, Kluson Deluxe tuners with single ring keystone buttons. 1 11/16 inch nut and has the longer 25 1/2 inch scale, which I think gives better tone and sustain than the usual short scale on these. Good sounding guitar with clear bass and a midrangey bright tone that cuts through in a band setting. No repairs and only a few small nicks and dings. The only issue I see is some slight finish lifting where the tuners rings were screwed down too tight at the factory. Looks like the endpin was drilled for a pickup jack, but the guitar currently has an endpin fitted. Good low action. Comes with a newer TKL dreadnaught hardshell case....USD $2150

camera icon 1958 Gibson J-200 Guitar
(Serial No. A28033) Excellent condition. I'm not usually much for J-200s, but this one really caught my attention - it actually sounds and plays great! Big open sound, very well balanced, without the usual tubbiness of a jumbo or the harshness of most maple guitars. The J-200 is the "King of the Flattops" with a 17 inch lower bout, solid spruce top, curly maple back and sides, original gold Grover tuners, open mustache bridge, engraved floral pickguard, orange oval label, and lots of pearl - the logo, the headstock inlay, and the crown inlays on the fretboard. Finish is original and shows some minor checking and the usual nicks, dings and some pick wear on the top. The engraved pickguard is nice and does not show the wear most of these have. Wonderful round shaped neck with the 1 11/16 inch nut. No repairs or refinish noted. One year older than the guitar Elvis played but it is the exact same specs. Comes with the original brown/pink lined hard shell case....USD $10750

camera icon 1966 Gibson J-200 Guitar
(Serial No. 408532) Excellent condition. Nashville Skyline...that describes this guitar perfectly. Its the same year and model as played by Dylan on one of his most famous recordings. Very clean condition - all original finish and hardware. Flamed maple back and sides, three piece neck, beautiful sunburst finish, engraved pickguard, and mustache bridge with the Tune-o-Matic bridge. I bought this with the intention of replacing the Tune-O-Matic (Dylan's guitar had the Tune-O-Matic replaced with a straight saddle), but after playing it, I decided the sound was wonderful and to just leave it alone. You be the judge. Here is a link to a YouTube video of this instrument as played by luthier Richie Dotson of Acoustic Box LLC. The J-200 series consistently has very strong projection and good sustain. The bottom end is bold yet balanced across the range with a smokey tone. Very satisfying with a real bite tonally if pushed with a flatpick. These are professional grade guitars. At this level, Gibson didn't mess about with inferior anything. A great guitar from the golden era of Gibson's past..one of Townes Van Zandt's favorites. Excellent strong sounding guitar with the soundyou are looking for, and an excellent response all across the strings and up and down the neck. The action is easy and low. Comes with the original Gibson hardshell case......USD $5750

COLLINGS, TAYLOR, GUILD, AND OTHER FINE ACOUSTIC FLATTOP GUITARS

camera icon 1994 Breedlove DR Deluxe Guitar
(Serial No. 7517) Excellent near mint condition. This is a very fine traditional bluegrass guitar in the style of the prewar Martin D28. Has an Indian rosewood back and sides, Adirondack red spruce top, herringbone top trim, advanced scalloped braces, ebony fretboard and bridge, Greven old style pickguard, and gold open back Grover tuners. Has a 1 3/4 inch nut with a comfortable modern neck profile. Neck is straight, frets are excellent, plays very nicely with a low action. The guitar is very clean, near mint. Big sound from this guitar as you would expect - excellent clear tone with plenty of volume to drive a bluegrass band. Sounds outstanding on a flatpick and it has good volume for fingerstyle. Here is a link to a YouTube video of this instrument. Very clean guitar. Anything you see in the pictures that looks like a blemish is a reflection. Comes with the clean original high end hard shell case.....USD $2350

camera icon 2005 James Burkett Slope Shoulder BRW Dreadnaught
(Serial No. 022) Near mint condition. James Burkett of Dothan Alabama has been repairing and rebuilding old Gibsons for years. When he put his considerable talents to building new guitars the results were outstanding. This is a close copy of a late 1930s Gibson J35 with the 2 scalloped tone bar bracing, a bear claw Sitka spruce top, and a highly figured Brazilian rosewood back and sides sourced from John Arnold. Has the firestripe pickguard and gold open back Gotoh tuners with butter bean tuners. The nut is 1 11/16 inch, neck profile is similar to a 1930s J35. The guitar has a custom peghead inlay and has the Burkette label inside. The heel cap and all body and neck binding is Koa wood. Very big sounding guitar with the drive of an exceptional Sitka top backed by Brazilian rosewood. Just set up by my luthier. Here is a short video clip of this guitar. This is a powerhouse of a dreadnaught. Comes with a Breedlove hard case....USD $3750

camera icon 2009 Collings 0001 AV Cut Guitar
(Serial No. 15963) Kind of an odd model name for this fine guitar. This is one of the top of the line for Collings guitars. The 12-fret 000 has the same general appearance as the Collings 00, but in a larger size with longer string scale. Although it's the same width and depth as the OM, the longer body typically produces more bass and overall volume. Has a cutaway Adirondack red spruce top with scalloped bracing, mahogany back and sides, varnish finish, open back Waverly tuners, and a bone nut and saddle. Has a pearl Collings logo in the peghead, with a ebony pyramid bridge and ebony fretboard. Nice low action, neck set is good, frets are fine. 1 3/4 inch nut, 2 1/4 inch bridge spacing, 25 inch scale length, modified V neck profile. Fitted with a LL Baggs Anthem undersaddle pickup with sound hole controls and an endpin jack. Very strong sounding guitar. The short 25 inch scale lets you get around the fretboard quickly while still having the resonance you expect. Very good for fingerstyle and contemporary flat picking work. Strap button added at the heel. Comes with the original very nice Collings hard shell case....USD $3750

camera icon 1967 Guild Navarre F50 SB Guitar
(Serial No. AD246) Excellent minus condition, sunburst finish. This was the top of line flattop for Guild in 1967. It was handmade in the original Guild factories at Hoboken/New Jersey, right before they moved the facilities across the river to Westerly in the early 70's. However, unfortunately the Westerly Guild's never quite achieved the cult status of those made in Hoboken. Big 17 inch lower bout with 5 ply binding on the body, fretboard and peghead, pearl Guild logo with the pearl G, gold hardware, with a solid Sika spruce top and flamed pressed maple back and sides. 1 11/16 inch nut. Has an ebony fretboard with big pearl block inlays and an ebony bridge. The neck has been reset so the action is low and comfortable with saddle left to lower the action if desired. Has a small well repaired outer pickguard crack, which is not uncommon on these. Shows the usual nicks and dings of playing wear of a 50 year old instrument used to make music. Neck is straight, neck set is good, and the frets are fine. The body finish is original. All hardware is original. The sound is big and powerful. This guitar HAS to be heard. Comes with a sturdy maybe original hardshell case. ..USD $3500

camera icon 1975 Guild F112 Guitar
(Serial No. 114898) Excellent condition. Guild pretty much sets the standard for 12 string guitars, and this model is one of the better sounding ones from one of the best eras for Guild. This is the desirable smaller body size, a little smaller than a dreadnaught and a slightly different shape. Built in the Westerly, RI plant. Has a 15-1/4 inch lower bout, all solid woods with mahogany back and sides and solid spruce top, 1-13/16 inch nut, 25-1/2 inch scale, rosewood bridge and fretboard. Head stock has a pearl logo and the Chesterfield inlay. Action is low and comfortable. No breaks or cracks. Has the original open geared tuners. Original finish and hardware. Has a few nicks and dings but overall a very clean guitar. Has that big, shimmery sound Guild 12s are know for. Comes with the original hardshell case...USD $1100

camera icon 1973 Mossman Great Plains Guitar
(Serial No. 73-256) My first "real" guitar was a Mossman. I still think they are outstanding guitars. Excellent condition with beautifully figured solid Brazilian rosewood back and sides, solid Sitka spruce top, ebony fingerboard with pearl dots, nickel hardware and an ebony bridge. Built pre-fire in the Winfield, KS shop (the Mossman factory had a devastating fire in 1975 which destroyed their considerable stash of Brazilian rosewood), 1 and 11/16 inch nut, low profile neck, ivoroid binding, herringbone purfling and that GREAT bright, strong, Mossman sound, very good condition overall, and signed on the label by all the craftsmen that worked on it. Finish and hardware is all original with no repairs noted. Shows some minor finish checking and a large finish check near the endpin. Stu Mossman was 20 years ahead of his time, with some early innovations: bolt on neck, low profile necks, mortoise and tenon neck joints, and an attention to quality that was not prevelant in other American guitar factories in the early 1970s, which many regard as the dark years for certain American brands. Mossmans are hand built, very high quality guitars. Here is a link to a YouTube video of this instrument, as played by local luthier Richie Dotson. Excellent action and playability. This is an excellent US made bluegrass guitar with lots of volume and tone. Why play the same thing everyone else has? Comes with the original blue interior hardshell case....USD $5500

camera icon 1975 Mossman Tennessee Flattop Guitar
(Serial No. 75-1651) My first "real" guitar was a Mossman. Back during the "dark days" of Gibson and Martin in the mid-70s, Mossman was consistently making high quality hand built guitars. The pride of craftsmanship shows, as each employee who worked on the guitar signed their initials on the label. They have stood the test of time and are still considered outstanding guitars. Excellent condition with nicely grained two piece mahogany back and sides, solid Sitka spruce top, marquetry top binding and soundhole rosette, ebony fingerboard with pearl dots, nickel hardware and an ebony bridge. 1 11/16 inch bone nut. Built in the original Winfield, KS shop. Finish and hardware is all original with no repairs noted. Its not a case queen. The guitar sounds great so it was played. It shows some nicks, dings, playing wear and finish checking as this guitar was used to make music. The neck has just been reset by local luthier Richie Dotson so the action is nice and low with a nice tall saddle that can be lowered if desired. Good action and playability. This is an excellent vintage hand built US made bluegrass guitar with lots of volume and tone. Here is a link to a YouTube video of this instrument as played by Richie. Why play the same thing everyone else has? Comes with the original blue lined hardshell case thats been painted brown on the outside... IN THE SHOP

camera icon 1994 Santa Cruz OM Guitar
(Serial No. 451) Very clean near mint guitar. Indian rosewood back and sides, cutaway Sitka spruce top, small tortoise guard, scalloped bracing, herringbone rosette and top trim, zipper backstripe, fully bound top, back, fretboard and peghead with grained ivoroid, ebony bridge and fretboard with small dot inlay. Peghead overlay is ebony with a pearl logo. Tuners are original Kluson style closed back with metal buttons. Nice low action, Neck set is good, fret are fine. 1 3/4 inch nut, V neck profile. Very strong sounding guitar as it has been opening up for over 20 years. The OM model is delightfully versatile. OM players range from blazing flat picker James Nash to John Mayer and Elvis Costello. The Santa Cruz Guitar Company OM provides clean, loud mid-range and trebles that are complimented by a slightly predominant bass. Very good for fingerstyle and contemporary flat picking work. Strap button added at the heel. Comes with the original very nice hard shell case....USD $3500

camera icon 1999 Santa Cruz Tony Rice Guitar
(Serial No. D5999R) Mint nearly unplayed condition. Santa Cruz is one of the best small shop luthiers, and the Tony Rice is their signature model. Its a copy of the famous D-28 first played by Clarence White and later owned and played by Tony Rice. This model features highly figured Indian rosewood back and sides, a Sitka spruce top with double tapered bracing and and hand scalloped tone bars, herringbone rosette, herringbone top trim with grained ivoriod body binding, and a zipper backstripe. Like Rice's famous guitar, the bound ebony fingerboard extends into the large (4 1/4") soundhole. 25.25 inch scale, 1 11/16" nut width, 2 3/16" string spacing at saddle, no fretboard inlays except Santa Cruz SCGC logo at the 12th fret (regular side dots at the usual frets), plain Brazilian rosewood peghead overlay, Santa Cruz open-gear tuners. Its a very lightly constructed guitar which makes it extremely responsive. Very powerful bluegrass voice. It combines the bass presence of an old D-28 with more substantial midrange and treble. No repairs or refinish. It plays very easily with a nice low action. Works well for hard flatpicking but will also respond to a delicate touch for fingerstyle. Comes with a nice Ameritage hardshell case....USD $4250

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ELECTRIC AND ACOUSTIC ARCHTOP AND SEMI-HOLLOW GUITARS
camera icon 1964 Epiphone Zenith Guitar
(Serial No. 167003) Looking for cool, reasonably priced archtop to try out those jazz chords? Here is a mid 1960s Epiphone archtop, made by Gibson. Sunburst finish, 16-3/8 inch non-cutaway archtop body with F holes, dark finished solid maple back and sides, solid spruce top, rosewood fretboard with oval pearl markers, pearl logo and peghead inlay, reproduction Kluson style tuners with metal buttons, and trapeze tailpiece. The bridge and the pickguard are likely replacements. There are some seam repairs at the top and bottom edges of the back, and the usual nicks and dings of an instrument used to play music for 50 years. Just set up by luthier Jerry Ray so it has a nice playable action with a good jazz cut to the sound. Its a fun guitar to play. Comes with a cardboard case....USD $1000

camera icon 1957 Gibson L7C Archtop Guitar
(Serial No. A22740) Excellent condition, sunburst finish. 17 inch body with a carved solid spruce top, carved maple back, sides and neck, bound 25 1/2 inch scale Brazilian rosewood fingerboard with split parallelogram pearl inlay, top is triple bound, pearl logo and crown peghead inlay. All hardware and finish is original. The original pickguard was cut out and drilled for a pickup in the distant past. Excellent action and playability, with a sweet, wide open voice and looks to match. My luthier just set this up "old school" with flat wounds. One tuner is slightly bent but it works fine. There is a well repaired top crack on the bass side, also shows some finish checking all over, especially near the endpin. Comes with the original brown hardshell case....USD $4250

camera icon 1965 Gibson ES-330TD Guitar
(Serial No. 365908) Very clean near mint guitar. Has the ice-tea light tobacco sunburst finish, double bound maple body, neck joins body at 16th fret, bound Brazilian rosewood fretboard with dot inlays, 2 P90 pickups with chrome covers, factory Bigsby tailpiece, ABR-1 tune-o-matic bridge with original nylon saddles, original pickguard. Headstock has the pearl Gibson logo inlay and original double line Kluson tuners with original buttons. Nut width is 1 9-16 inch and scale is 24.75 inch. no repairs noted, no scratches, nicks or dings. This is a clean guitar. These P-90s pickups can go from clean and warm to that classic rock and roll growl. Comes with a newer Epiphone hard case that fits perfectly....USD $3950

TENOR GUITARS
camera gif 1960 Martin 5-15T Tenor Guitar
(Serial No. 174079) Excellent well played condition with no cracks. The 5 series Martins are the smallest guitar made by Martin, and they are famous for putting out an astounding amount of sound for their size. Think Marty Robbins. This old warhorse is a prime example. Mahogany back and sides, mahogany top, and a rosewood bridge and fretboard. Decal logo on the peghead and dot fretboard inlay in pearl. Looks to be all original. Neck is straight, frets are good, neck set is good. The finish is starting to check somewhat, which is typical of these all mahogany guitars. Has a 23 inch scale with a 1 3/16 inch nut. Has a big sound and is perfect for either tenor guitar work or it can be tuned as a octave mandolin or ukulele. The typical tenor tuning is CGDA (using 9-13-20-27) but I have this one in GDAE (13-20-30-41) like a mandolin and it works fine. Comes with an old oversized chip case. ....IN THE SHOP

camera gif 1927 Martin 5-21T Tenor Guitar
(Serial No. 33470) Excellent well played condition with no cracks. The 5-21 Martins are famous for putting out an astounding amount of sound for their size and this old warhorse is a prime example. Brazilian rosewood back and sides, Adirondack red spruce top, and an ebony bridge and fretboard. Decal logo on the peghead and slotted squares fretboard inlay in pearl. It has a Brazilian rosewood peghead overlay. It's just had its cracked bridge replaced, a neck set, refretted with modern T frets, and a pro setup so it is ready to rock. Looks like it was oversprayed in the distant past. Original end pin and Grover banjo tuner style tuning pegs. The serial number #33470 is on the neck block and the C.F. Martin & Co. stamp is on the back of the peghead. A pre war Martin with a lot of bang for the buck. Has a big sound and is perfect for either tenor guitar work or it can be tuned as a octave mandolin or ukulele. Comes with an old oversized chip case.....USD $2300

UKULELES, BANJOS, TIPLES, AND OTHER ACOUSTIC INSTRUMENTS

camera gif 1955 Gibson Style 1 Soprano Ukulele
(FON S1306 6) Excellent condition showing some very minor playing wear. The S in the order number on the inside dates it to 1955. Style 1 ukuleles have an all mahogany body and neck, rosewood fretboard with dot inlay, single soundhole ring, no body binding and a silkscreened Gibson logo in the headstock. Frets are good, neck set is good. Hardware and finish are original. No cracks or repairs are evident. Plays very easily with good action and has a sound much bigger than the size would lead you to think. Comes with a newer foam hard case. ...USD $750

camera gif 1930s Martin 1-T Tenor Ukulele
(Serial No. none) Excellent condition. All mahogany body. Has 8 15/16th inch body width, a 9 inch body length, and a 17 inch scale. Has the old style straight through friction tuners and has both the Martin decal on the peghead and is stamped Martin on the inside. The top and back are bound in tortoise celluloid; the unbound Brazilian rosewood fingerboard hosts four very small pearloid dotmarkers; the nut is ebony; its nut width is 1 5/16th inch. The uke shows light normal signs of use including dings, chips, scratches, and some pickwear on the upper treble top bout. Martin ukes do not have serial numbers, however, these construction features date this uke to between 1935 and the 1940s. Big volume, plays nicely. No cracks or repairs are evident. Comes with a newer hard shell case....USD $1500

camera gif 1956-1962 Martin Style 0 Soprano Ukulele
(Serial No. none) Excellent condition showing some very minor playing wear. Martin ukuleles do not have serial numbers so they must be dated by features. Hex peghead bushings were first used in 1956. The Martin stamp inside the uke does not include the words "Made in USA", which were added in 1962. Style 0 ukuleles have an all mahogany body and neck, rosewood fretboard with dot inlay, no body binding and a Martin decal in the headstock. Frets are good, neck set is good. Tuners are original, as is the ebony nut. No cracks or repairs are evident. Plays very easily with good action and has a sound much bigger than the size would lead you to think. Comes with a softshell case. ...USD $750

STEELS AND RESONATOR INSTRUMENTS
For a good article on Weissenborn, Kona and similar Hawaiian slide guitars click here!

camera icon   1935 National Style N Mandolin
(Serial No. 302) Early Style N with triangular body, single resonator and 14 frets clear of the body. Has flat F holes and a round neck with a bound rosewood fretboard. Shows some playing wear on the cover plate and a few nicks and dents, but nothing major. Original hardware and finish. Typical with Nationals, the neck has some bow in it and would need a reset to play up the neck in standard. But that not what you want this for - its very cool just like it is for slide work, especially slide blues. Think Sam Bush. Sam plays slide mandolin - check out his sound to see all the possibilities. Very loud with a unique sound. Comes with a slide and a Travelite style foam hard case. Consigned. ..USD $1500

camera icon   1985 OMI Dobro Model 60D-S Guitar
(Serial No. 2000) Excellent near mint condition. OMI period production. This is the classic square neck Dobro with the slotted peghead, trapeze tailpiece, two tone sunburst finish, upper screen holes, bound top and back, and three holes at the end of the fretboard. Set up for Dobro style playing with a high nut. Laminated mahogany body, chrome hardware, original cone. Comes with a nice hardshell case including a strap, picks, and capo for Dobros...USD $1100

camera icon  1930 National Duolian Guitar
(Serial No. C267 Patent Pending) Blues approved! Excellent condition cosmetically, excellent condition soundwise. Has the original cool grey/green Duco crystal finish that has turned black with age in some areas and shows playing wear all over. Has the 12 fret body, original neck, slot peghead and the pre-1933 flat f-holes. The tuners might be original but I suspect they are modern Stewart-Macdonald reproductions, which work fine; the rest of the hardware is original. The fretboard is in good condition. Its been refretted and the neck was reset at that time. I have not had the instrument apart but I was told by the seller that the cone is original. The front of the peghead is stamped National Duolian and the serial number stamp is on the end along with the words Patent Pending. No repairs noted. Neck is straight, neck set is excellent, and the guitar has the sound you are looking for in a metal body. It plays very nicely - it was just set up by my luthier. Comes with the original very beat hard shell case....USD $3900

camera icon   1931 National Triolian Guitar
(Serial No. 1415P Patent Applied For) Blues approved! Excellent condition cosmetically, excellent condition soundwise. Has most of the original yellow brown finish with the Hawaiian scene silkscreened on the back. Early 12 fret body, original neck with slot peghead and flat f-holes. The fretboard is in good condition and the back of the neck still retains some of the original paint. Original cone and hardware. The front of the peghead has the National Triolian decal and the serial number stamp is on the end. No repairs evident. Neck is straight, neck and fingerboard have some wear, neck set is good. The guitar has the sound you are looking for in a metal body. Comes with a newer hard shell case...USD $3500

camera icon   1933 National Style 0 Guitar
(Serial No. S3896) Blues approved! Excellent condition cosmetically, excellent condition soundwise. This is a early Style 0 from the first years of production, with the etched palm trees, mountains and the canoe on the back. Has the 12 fret body, 1 3/4 inch nut, slotted peghead, flat f holes, original openback tuners, dot fretboard inlay, and a new Waterman cone. The original cone is included. Some minor wear and one minor dent on the top treble side. Frets are fine, neck is straight and in set. Pickguard is missing. The neck was reset and the guitar set up by luthier Harry Eibert. Plays perfectly with the sound you are looking for in a prewar National. Comes with a newer hardshell case...USD $3950

Please click on the name of the instrument or the camera icon beside it to see more details and larger pictures. If you would like additional images of a specific instrument please email your request. 
Click here   for how to order and return policy information
Click here   for information on selling your instrument to me
Click here   for condition and case abbreviations
Click here   to return to the home page for Mandolin World Headquarters...and Guitars!

ELECTRIC SOLIDBODY GUITARS AND AMPS

camera icon   1965 Fender Jaguar Guitar
(Serial No. 107180) Nice pre-CBS Jaguar in sunburst, with pearl dots on the fretboard and binding. This is a great and great playing looking guitar, one of the cleanest 60s Fenders I have had. There is a very little fingerboard wear in the first few frets, but there is no buckle wear, no pick scratches, or other major bumps or dings. It has just a few minor edge chips in the finish. The three tone sunburst is nice and bright, with a strong red. All electronics were cleaned and work well. The guitar was just set up by my luthier Jerry Ray so it plays like a dream. All hardware and electronics are original, including the tremolo arm and the mute. The pickups are well matched and balance each other. Original 65 neck stamp, stamped a B width but its got more wood than you might expect. Original slab Brazilian rosewood fretboard with pearl dots and excellent original frets that were just dressed. Comes with the original black Fender hard case in good condition....USD $3950

Please click on the name of the instrument or the camera icon beside it to see more details and larger pictures. If you would like additional images of a specific instrument please email your request. 
Click here   for how to order and return policy information
Click here   for information on selling your instrument to me
Click here   for condition and case abbreviations
Click here   to return to the home page for Mandolin World Headquarters...and Guitars!

ELECTRIC BASSES AND BASS AMPS

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KEYBOARDS AND EFFECTS

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CASES, PARTS AND MISCELLANEOUS
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TUNERS AND BUTTONS
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FENDER NECK PLATES
camera icon   1959 Fender Neck Plate Number 40135
..USD $300

camera icon   1965 Fender Neck Plate Number 111454
...USD $300

camera icon   1966 Fender Neck Plate Number 146182
...USD $300

camera icon   1966 Fender Neck Plate Number 137758
...USD $300

MUSICAL BONES
camera icon   Black Bart Bones
New. These are traditional cow rib bones made by Black Bart in Wisconsin. Bart boils, polishes and engraves the bones and ties them together with a leather thong. Heavier bones give a deeper sound and are good for jigs. All pairs of bones are approximately 6 inches long. Please click the link above to see the sets available. Sorry, no international shipping...USD $40/set(pair)

STRAPS
camera icon   Vintage 1960s Plant Leaf Design Guitar Strap
Original 1960s Ace style guitar strap as used by Hendrix, Page, and every other band during that time. Nice clean strap, fairly stiff, showing little use. Black leather backing with yellow and red background with a plant leaf design. Hint - what plant was popular in the 1960s? Black colored metal buckle and rivets on the ends. Black leather ends. Good condition, a good looking and functional strap...USD $125

camera icon   Vintage 1960s Ace Style Bass Guitar Strap
Original 1960s Ace style strap as used by Hendrix, Page, and every other band during that time. Wider three inch strap for bass. Black cloth strap with blue, red white and yellow colors in the design. Silver colored plated buckle and rivets on the ends. Buckle shows some rust or tarnish. White leather ends. No makers marking. Good condition, a good looking and functional strap....USD $100

camera icon   Vintage 1950s White Guitar Strap
Original 1950s white leather guitar strap. Definitely has that cowboy vibe going. Nice clean strap showing little use. Strap extends to 52 inches. The wool on the back of the shoulder pad is in excellent condition. Gold tone hardware shows some tarnish. Possibly a Gretsch strap. Excellent condition, a good looking and functional vintage strap....USD $100

CASES
camera icon   Teens Gibson Mandolin Case Key
Excellent condition. Fits teens Gibson mandolin cases, maybe others....USD $50

camera icon   1960s Gretsch 17 Inch Archtop Case
Nice clean case for White Falcons or other large archtops. Exterior is silver grey with white trim. Interior is maroon velour. No musty smells or interior stains. All latches and hinges work well...USD $500

camera icon   1930s Gibson Redline 17 Inch Archtop Case
I got this with a 1939 J35, and it was the case originally purchased with the guitar. Nice clean case for Gibson L5 or other large archtops. Exterior is black alligator print tolex. Interior is green felt. Shows some wear but no musty smells or interior stains. Original hardware. All latches and hinges work well...USD $750

LUTHIER SPECIALS

Are you searching the flea markets and antique stores every weekend for looking for old or cool instruments? Are you looking for something decent to fix up and play? On a tight budget and don't mind a little sweat equity? Keep reading for great deals! I get a lot of instruments in. Some need work or have significant wear or finish issues. Many are projects that I just do not have the time to get started, let alone complete. A few I've just had for too long and they need to go on down the road. Some are just cool wall hangers. These instruments are sold as-is. There is no approval period. I might look at a trade if its not another project. I'm not interested in low ball offers on these, as most are priced at my cost. Assume that they need work to make them right. You do get a good deal on the price!

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All prices subject to change, up or down, without notice. All instruments are subject to prior sale. All instruments are sold as-is, with an approval period of 48 hours after receipt. For details click on "How to order" information above.

Appraisals Click here for information on appraisals.

I'm looking for O, OO, and OOO size Martins and Gibsons, also Gibson mandolins and mandolin parts. Please let me know what you have for sale. Cash or fair trades offered. Thanks! Keep in touch!

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